- For the asteroid, see 65 Cybele; for the Marvel Comics character see Cybele (comics).
Originally a
Phrygian goddess,
Cybele (
Greek: Κυβέλη) was a deification of the
Earth Mother who was worshipped in
Anatolia from
Neolithic times. Like
Gaia (the "Earth") or her
Minoan equivalent
Rhea, Cybele embodies the fertile earth, a goddess of caverns and mountains, walls and fortresses, nature, wild animals (especially lions and bees). Her title
potnia theron, which is also associated with the Minoan Great Mother, alludes to her ancient Neolithic roots as "Mistress of the Animals". She becomes a
life-death-rebirth deity in connection with her consort, her son
Attis. Her
Roman equivalent was Magna Mater or "
Great Mother".
Walter Burkert, who treats
Meter among "foreign gods" in
Greek Religion (1985, section III.3,4) puts it succinctly: "The cult of the Great Mother,
Meter, presents a complex picture insofar as indigenous, Minoan-Mycenean tradition is here intertwined with a cult taken over directly from the Phrygian kingdom of Asia Minor" (p 177).
Save that it reveals that the Greeks considered "Cybele" to be Greek, the traditional derivation of her name, as "she of the hair" can be ignored, now that the inscription of one of her
Phrygian rock-cut monuments has been read
matar kubileya.
[1] The inscription
matar occurs frequently in her Phrygian sites (Burkert).
Kubileya is usually read as a Phrygian adjective "of the mountain", so that the inscription may be read Mother of the Mountain, and this is supported by Classical sources (Roller 1999, pp. 67–68). Another theory is that her name can be traced to the
Luwian Kubaba, the deified queen of the Third Dynasty of
Kish worshiped at
Carchemish and
Hellenized to
Kybebe (Munn 2004, Motz 1997, pp. 105-106). With or without the etymological connection, Kubaba and Matar certainly merged in at least some aspects, as the genital mutilation later connected with Cybele's cult is associated with Kybebe in earlier texts, but in general she seems to have been more a collection of similar tutelary goddesses associated with specific Anatolian mountains or other localities, and called simply "mother" (Motz).
The goddess was known among the Greeks as
Meter or
Meter oreie ("Mountain-Mother"), or, with a particular Anatolian sacred mountain in mind,
Idaea, inasmuch as she was supposed to have been born on
Mount Ida in
Anatolia, or equally
Dindymene or
Sipylene, with her sacred mountains
Mount Dindymon (in
Mysia and variously located) or
Mount Sipylus in mind.
Cybele's most ecstatic followers were males who ritually
castrated themselves, after which they were given women's clothing and assumed "female" identities, who were referred to by the third-century commentator
Callimachus in the feminine
Gallai, and who other contemporary commentators in ancient Greece and Rome referred to as
Gallos or
Galli. Her priestesses led the people in orgiastic ceremonies with wild music, drumming, dancing and drink. She was associated with the mystery religion concerning her son,
Attis, who was castrated and resurrected. The
dactyls were part of her retinue. Other followers of Cybele, Phrygian
kurbantes or
Corybantes, expressed her ecstatic and orgiastic cult in music, especially drumming, clashing of shields and spears, dancing, singing and shouts, all at night.
Cult history
Her cult moved from Phrygia to
Greece from the
6th century BC to the
4th BC. In
203 BC,
Rome adopted her cult as well.
Anatolia and Greece
Greek mythographers recalled that
Broteas, the son of
Tantalus, was the first to carve the Great Mother's image into a rock-face. At the time of
Pausanias (2nd century CE), a sculpture carved into the rock-face of a spur of
Spil Mount was still held sacred by the
Magnesians.
[2]
At Pessinos in Phrygia, an archaic version of Cybele had been venerated as
Agdistis, time out of mind by the time, in
203 BC, when its aniconic cult object was removed to Rome.
Her cult had already been adopted in
5th century BC Greece, where she is often referred to euphemistically as
Meter Theon Idaia ("Mother of the Gods, from Mount Ida") rather than by name. Mentions of Cybele's worship are found in
Pindar and
Euripides, among others. Classical Greek writers, however, either did not know of or did not mention the transgendered
galli; although they did know of the castration of
Attis.
Cybele's cult in Greece was closely associated with, and apparently resembled, the cult of
Dionysus, whom Cybele is said to have initiated, and cured him of
Hera's madness. They also identified Cybele with the Mother of the Gods
Rhea.
Anatolian Cybele
Various aspects of Cybele's Anatolian attributes probably predate the Bronze Age in origin.
A figurine found at
Çatalhöyük, (Archaeological Museum, Ankara), dating about
6000, depicts a corpulent and fertile
Mother Goddess in the process of giving birth while seated on her throne, which has two handrests in the form of lion's heads. No direct connection with the later
matar goddesses is documented, but the similarity to some of the later iconography is striking.
By the
2nd millennium BC the
Kubaba of Bronze Age Carchemish was known to the Hittites and Hurrians: "[O]n the basis of inscriptional and iconographical evidence it is possible to trace the diffusion of her cult in the early Iron Age; the cult reached the Phrygians in inner
Anatolia, where it took on special significance" (Burkert, III.3.4, p. 177). If the theory on the Luwian origin of Cybele's name is correct, Kubaba must have merged with the various
matar goddesses well before time the Phrygian
matar kubileya inscription was made around the first half of the
6th century BC(Vassileva 2001).
In
Phrygia Rhea/Cybele was venerated as
Agdistis, with a temple at the great trading city
Pessinos, mentioned by the geographer
Strabo. It was at Pessinos that her lover
Attis (son of
Nana) was about to wed the daughter of the king, when Agdistis/Cybele appeared in her awesome glory, and he castrated himself.
In Archaic Phrygian images of Cybele of the sixth century, already betraying the influence of Greek style (Burkert), her typical representation is in the figuration of a building’s façade, standing in the doorway. The façade itself can be related to the rock-cut monuments of the highlands of Phrygia. She is wearing a belted long dress, a
polos (high cylindrical hat), and a veil covering the whole body. In Phrygia, her usual attributes are the bird of prey and a small vase. Lions are sometimes related to her, in an aggressive but tamed manner.
Later, under Hellenic influence along the coastlands of Asia Minor, the sculptor
Agoracritos, a pupil of
Pheidias, produced a version of Cybele that became the standard one. It showed her still seated on a throne but now more decorous and matronly, her hand resting on the neck of a perfectly still lion and the other holding the circular
frame drum, similar to a tambourine, (
tymbalon or tympanon), which evokes the full moon in its shape and is covered with the hide of the sacred
lunar bull.
Cybele and Attis


Cybele with her attributes (Getty Museum)
The goddess appears alone,
8th–
6th centuries BC. Later she is joined by her son and consort
Attis, who incurred her jealousy. He, in an ecstasy, castrated himself, and subsequently died. Grieving, Cybele resurrected him. This tale is told by Catullus in one of the long poems of his Carmina ( Poems ) —number 63. The evergreen pine and ivy were sacred to Attis.
Some ecstatic followers of Cybele, known in Rome as
galli, willingly castrated themselves in imitation of
Attis. For Roman devotees of Cybele Mater Magna who were not prepared to go so far, the testicles of a bull, one of the Great Mother's sacred animals, were an acceptable substitute, as many inscriptions show. An inscription of AD
160 records that a certain Carpus had transported a bull's testes from Rome to Cybele's shrine at Lyon, France.
Aegean Cybele
The worship of Cybele spread from inland areas of Anatolia and Syria to the Aegean coast, to Crete and other Aegean islands, and to mainland Greece. She was particularly welcomed at Athens. The geographer Strabo (book x, 3:18) made some useful observations:
- "Just as in all other respects the Athenians continue to be hospitable to things foreign, so also in their worship of the gods; for they welcomed so many of the foreign rites ... the Phrygian [rites of Rhea-Cybele are mentioned] by Demosthenes, when he casts the reproach upon Aeskhines' mother and Aeskhines himself, that he was with her when she conducted initiations, that he joined her in leading the Dionysiac march, and that many a time he cried out evoe saboe, and hyes attes, attes hyes; for these words are in the ritual of Sabazios and the Mother [Rhea]."
In
Alexandria, Cybele was worshiped by the Greek population as "The Mother of the Gods, the Savior who Hears our Prayers" and as "The Mother of the Gods, the Accessible One."
Ephesus, one of the major trading centers of the area, was devoted to Cybele as early the
10th century BC, and the city's ecstatic celebration, the Ephesia, honored her.
The goddess was not welcome among the Scythians north of Thrace. From
Herodotus (4.76-7) we learn that the Scythian
Anacharsis (
6th century BC), after traveling among the Greeks and acquiring vast knowledge, was put to death by his fellow Scythians for attempting to introduce the foreign cult of Magna Mater.
Atalanta and
Hippomenes were turned into
lions by
Zeus or Cybele as punishment for having sex in one of his/her temples because the Greeks believed that lions could not mate with other lions. Another account says that Aphrodite turned them into lions for forgetting to do her tribute. As lions they then drew Cybele's chariot.
Roman Cybele


The famous
fountain in
Madrid depicting Cybele in a chariot drawn by lions, in the Plaza de Cibeles.
At Pessinos in Phrygia, an archaic version of Cybele had been venerated as
Agdistis, time out of mind. In
203 BC, Pessinos's
aniconic cult object that embodied the Great Mother was ceremoniously and reverently removed to Rome, marking the official beginning of her cult there. Rome was then embroiled in the
Second Punic War. The previous year, an inspection had been made of the
Sibylline Books, and some oracular verses had been discovered that announced that if a foreign foe should carry war into Italy, he could be driven out and conquered if the Mater Magna were brought from Pessinos to Rome.
Publius Cornelius Scipio Nasica was ordered to go to the port of
Ostia, accompanied by all the matrons, to meet the goddess. He was to receive her as she left the vessel, and when brought to land he was to place her in the hands of the matrons who were to bear her to her destination, the Temple of Victory on the
Palatine Hill. The day on which this event took place,
12 April, was observed afterwards as a festival, the Megalesian.
[3]
In
103 BC, Battakes, a high priest of Cybele, journeyed to Rome to announce a prediction of
Gaius Marius's victory over the Cimbri and Teutoni. A. Pompeius, plebeian tribune, together with a band of ruffians, chased Battakes off of the
Rostra. Pompeius supposedly died of a fever a few days later.
[4]
Under the emperor
Augustus, Cybele enjoyed greater prominence thanks to her inclusion in Augustan ideology. Augustus restored Cybele's temple, which was located next to his own palace on the
Palatine Hill. On the cuirass of the
Prima Porta of Augustus, the tympanon of Cybele lies at the feet of the goddess
Tellus.
Livia, the wife of Augustus, ordered cameo-cutters to portray her as Cybele.
[5] The Malibu statue of Cybele bears the visage of Livia.
[6]
In
Roman mythology, she was given the name
Magna Mater deorum Idaea ("great
Idaean mother of the gods"), in recognition of her
Phrygian origins (though this title was also given to
Rhea).
Roman devotion to Cybele ran deep. Not coincidentally, when a Christian basilica was built over the site of a temple to Cybele to occupy the site, the sanctuary was rededicated to the Mother of God, as the
Basilica di Santa Maria Maggiore. However, Roman citizens were later forbidden to become priestesses of Cybele, who were eunuchs like their Asiatic Goddess.
The worship of Cybele was exported to the empire, even as far as
Mauretania, where, just outside Setif, the ceremonial "tree-bearers" and the faithful (
religiosi) restored the temple of Cybele and Attis after a disastrous fire in AD
288. Lavish new fittings paid for by the private group included the silver statue of Cybele and the chariot that carried her in procession received a new canopy, with tassels in the form of fir cones. (Robin Lane Fox,
Pagans and Christians, p 581.) The popularity of the Cybele cult in the city of Rome and throughout the empire is thought to have inspired the author of
Book of Revelation to allude to her in his portrayal of the mother of harlots who rides the Beast. Cybele drew ire from Christians throughout the Empire;
St. Theodore of Amasea is famously said to have spent the time granted to him to recant his beliefs burning a temple of Cybele instead.
[7]
Today, a modern monumental statue of Cybele can be found in one of the principal traffic circles of
Madrid, the
Plaza de Cibeles (
illustration, upper left).
In Roman poetry
In Rome, her Phrygian origins were recalled by
Catullus, whose famous poem ( number 63 ) on the theme of Attis includes a vivid description of Cybele's worship: "Together come and follow to the Phrygian home of Cybele, to the Phrygian forests of the goddess, where the clash of cymbals ring, where tambourines resound, where the Phrygian flute-player blows deeply on his curved reed, where ivy-crowned maenads toss their heads wildly."
In the second book of his
De rerum natura,
Lucretius appropriately uses the image of Cybele, the Great Mother, as a metaphor for the earth. His description of the followers of the goddess is thought to be based on autopsy of the celebration of her cult in Rome.
Cybele in the Aeneid
In his
Aeneid,
Virgil called her
Berecyntian Cybele, alluding to her place of birth. She is described as the mother of the gods.
In the story, the
Trojans are in
Italy and have kept themselves safe in a walled city according to
Aeneas's orders. The leader of the Rutulians,
Turnus, orders his men to burn the ships of the Trojans.
At this point in the story, there is a flashback to mount
Olympos years before the
Trojan War. After Cybele had given her sacred trees to the Trojans so that they could build their ships, she went to Zeus and begged him to make the ships indestructible. Zeus granted her request by saying that when the ships had finally fulfilled their purpose (bringing
Aeneas and his army to Italy) they would be turned into sea
nymphs rather than be destroyed.
So, as Turnus approached with fire, the ships came to life, dove beneath the sea and emerged as nymphs.
Notes
1.
^ C.H.E. Haspels,
The Highlands of Phrygia, 1971, I 293 no 13, noted in Walter Burkert,
Greek Religion, 1985, III.3.4, notes 17 and 18.
2.
^ Pausanias: "the Magnesians, who live to the north of Spil Mount, have on the rock Coddinus the most ancient of all the images of the Mother of the gods. The Magnesians say that it was made by Broteas the son of Tantalus." (
Description of Greece)
3.
^ Livy,
History of Rome, 29.10-11, .14 (written circa AD
10).
4.
^ Plutarch, "Life of Marius," 17.
5.
^ P. Lambrechts, "Livie-Cybele,"
La Nouvelle Clio 4 (1952): 251-60.
6.
^ C. C. Vermeule, "Greek and Roman Portraits in North American Collections Open to the Public,"
Proceedings of the American Philosophical Society 108 (1964): 106, 126, fig. 18.
7.
^ "St. Theodore of Amasea". Catholic Encyclopedia. (1914). New York: Encyclopedia Press. Retrieved on 2007-07-16.
References
- Burkert, Walter, 1982. Greek Religion (Cambridge:Harvard University Press), especially section III.3.4
- Motz, Lotte (1997). The Faces of the Goddess. New York: Oxford University Press US.
- Mark Munn, "Kybele as Kubaba in a Lydo-Phrygian Context": Emory University cross-cultural conference "Hittites, Greeks and Their Neighbors in Central Anatolia", 2004 (Abstracts)
- Roller, Lynn Emrich (1999). In Search of God the Mother: The Cult of Anatolian Cybele. Berkeley and Los Angeles, California: University of California Press.
- Vassileva, Maya (2001). "Further considerations on the cult of Kybele". Anatolian Studies 51, 2001: pp. 51-63. DOI:10.2307/3643027.
- Virgil. The Aeneid trans from Latin by West, David (Penguin Putnam Inc. 2003) p.189-190 ISBN 0-14-044932-9
Further reading
- Hyde, Walter Woodburn Paganism to Christianity in the Roman Empire (U. of Pennsylvania Press, 1946)
- Knauer, Elfried R. (2006). "The Queen Mother of the West: A Study of the Influence of Western Prototypes on the Iconography of the Taoist Deity." In: Contact and Exchange in the Ancient World. Ed. Victor H. Mair. University of Hawai'i Press. Pp. 62-115. ISBN-13: ISBN 978-0-8248-2884-4; ISBN-10: ISBN 0-8248-2884-4 (An article showing the probable derivation of the Daoist goddess, Xi Wangmu, from Kybele/Cybele)
- Lane, Eugene. Ed. Cybele, Attis, and Related Cults: Essays in Memory of M.J. Vermaseren (E.J. Brill, 1996)
- Showerman, Grant The Great Mother of the Gods (Argonaut, 1969)
- Vermaseren, Maarten Jozef. Cybele and Attis: The Myth and the Cult trans. from Dutch by A. M. H. Lemmers (Thames and Hudson, 1977)
- Virgil. The Aeneid trans from Latin by West, David (Penguin Putnam Inc. 2003)
External links
Asteroids, also called minor planets or planetoids, are a class of astronomical objects. The term asteroid is generally used to indicate a diverse group of small celestial bodies in the solar system that orbit around the Sun.
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65 Cybele
Discovery
Discovered by: Ernst Wilhelm Tempel
Discovery date: March 8, 1861
Orbital characteristics
Epoch December 31, 2006 (JD 2454100.5)
Aphelion distance: 567.544 Gm (3.794 AU)
Perihelion distance: 459.654 Gm (3.
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Cybele is a fictional character, appearing in the Marvel Comics universe. She is a member of the Eternals.
Fictional character biography
Second generation Eternal. Very little revealed about her past. Wife of Zuras, mother of Azura (who later took the name Thena).
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Attis (sometimes written as "Atys"), a life-death-rebirth deity, was the lover of Cybele,[1] her eunuch attendant and driver of her lion-driven chariot; he was driven mad by her and castrated himself.
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In antiquity, Phrygia (Greek: Φρυγία) was a kingdom in the west central part of the Anatolia. The Phrygian people settled in the area from c. 1200 BC, and established a kingdom in the 8th century BC.
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goddess is a female deity. Many cultures have goddesses. Most often these goddesses are part of a polytheistic system that includes multiple deities. Pantheons in various cultures can include both goddesses and gods, and in some cases also intersex deities.
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mother goddess is a goddess, often portrayed as the Earth Mother, who serves as a general fertility deity, the bountiful embodiment of the earth. As such, not all goddesses should be viewed as manifestations of the mother goddess.
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Rhea (ancient Greek Ῥέα) was the Titaness daughter of Uranus, the sky, and Gaia, the earth, in classical Greek mythology.
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Potnia Theron ("Mistress of the Animals") is an ancient title of the Minoan Goddess, an aspect of her power that was assumed by Artemis among others in the Olympian hierarchy that was later introduced in mainland Greece.
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The category life-death-rebirth deity also known as a "dying-and-rising" or "Resurrection" god is a convenient means of classifying the many divinities in world mythology or religion who are born, suffer death or an eclipse or other death-like experience, pass a phase in the
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Attis (sometimes written as "Atys"), a life-death-rebirth deity, was the lover of Cybele,[1] her eunuch attendant and driver of her lion-driven chariot; he was driven mad by her and castrated himself.
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Roman mythology, the mythological beliefs of the people of Ancient Rome, can be considered as having two parts. One part, largely later and literary, consists of whole-cloth borrowings from Greek mythology.
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Great Mother closely related to Mother Goddess figures in many mythologies.
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Walter Burkert (born Neuendettelsau, Bavaria, February 2, 1931), a scholar of Greek mythology and cult, is an emeritus professor of classics at the University of Zurich, Switzerland, and also has taught in the United Kingdom and the United States.
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In antiquity, Phrygia (Greek: Φρυγία) was a kingdom in the west central part of the Anatolia. The Phrygian people settled in the area from c. 1200 BC, and established a kingdom in the 8th century BC.
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