Dream Theater is an American progressive metal band comprising James LaBrie, John Petrucci, Jordan Rudess, John Myung, and Mike Portnoy.

Dream Theater was formed in 1985 under the name "Majesty" by Petrucci, Myung, and Portnoy, while they were attending the Berklee College of Music in Boston, before dropping out to help support the band. Though a number of lineup changes followed, the three original members remain today along with LaBrie and Rudess. Dream Theater has become one of the most commercially successful progressive rock bands since the height of the genre in the mid-1970s, despite being relatively unknown in mainstream rock circles. Although the band has had a few successful hits (notably 'Pull Me Under' in the early 1990s, which had extensive MTV rotation), it has mostly stayed underground for its career, feeding off support from fans.

The band is well known for the technical proficiency of its instrumentalists, who have won many awards from music instruction magazines. Dream Theater's members have collaborated with many other notable musicians. Guitarist John Petrucci was named as the third player on the G3 tour six times, more than any other invited guitarist, following in the footsteps of Eric Johnson, Robert Fripp, and Yngwie Malmsteen.

The band's two highest selling albums are the gold selling Images and Words (1992), although it reached only #61 on the Billboard 200 charts,^[1] and Awake (1994) which reached #32 on the Billboard 200.<ref name="charts" /> Dream Theater has sold over two million albums in the U.S.,^[2] and over eight million albums and DVDs worldwide.^[3]

The band is currently promoting their latest effort, Systematic Chaos with a world tour, which began on June 3, 2007 in Milan, Italy^[4].

History

1985: Beginnings

Dream Theater was formed in September of 1985 when guitarist John Petrucci and bassist John Myung decided to form a band in their spare time while studying at the Berklee College of Music. The pair came across drummer Mike Portnoy in one of Berklee's rehearsal rooms, where he was asked to join the band. The trio started off by covering Iron Maiden and Rush songs in the rehearsal rooms at Berklee.

Myung, Petrucci, and Portnoy settled on the name Majesty for their newly formed group. According to the The Score So Far… documentary, they were waiting in line for tickets to a Rush concert at the Berklee Performance Center while listening to the band on a boom box. Portnoy commented that the ending of the song "Bastille Day" (from the album Caress of Steel) sounded "majestic." It was then decided that Majesty would be the band's name ^[5].

The trio then set out to fill the remaining positions in the group. Petrucci asked his high school band-mate Kevin Moore to play keyboards. After accepting the position, another friend from home, Chris Collins, was recruited as lead vocalist after band members heard him sing a cover of "Queen of the Reich" by Queensrÿche^[6] During this time, Portnoy, Petrucci and Myung's hectic schedules forced them to abandon their studies to concentrate on their music. Moore also left his college, SUNY Fredonia, to concentrate on the band.

1986 – 1987: The Majesty Demos and the birth of “Dream Theater”

The beginning months of 1986 were filled with various concert dates in and around the New York City area. During this time, the band recorded a collection of demos, titled The Majesty Demos. The initial run of 1,000 sold out within six months, and dubbed copies of the cassette became popular within the progressive metal scene. The Majesty Demos are still available in their original tape format today, despite being released officially on CD through Mike Portnoy's YtseJam Records.

In November 1986, after a few months of writing and performing together, Chris Collins left the band due to creative differences. After a year of trying to find a replacement, Charlie Dominici, who was far older and more experienced than anyone else in the band, successfully auditioned for the group. With the stability that Dominici's appointment brought to Majesty, they began to increase the number of shows played in the New York City area, gaining a considerable amount of exposure.

Shortly after hiring Dominici, a Las Vegas group ^[7] also named Majesty threatened legal action for intellectual property infringement related to the use of their name, so the band was forced to adopt a new moniker. Various possibilities were proposed and tested, among them Glasser, Magus, and M1, which were all rejected^[8] until Portnoy's father suggested the name Dream Theater, the name of a movie house in Monterey, California.

Logo and imagery

Despite the band being forced to change their name, Dream Theater adopted a custom logo (known as the Majesty symbol) and wordmark which has appeared on the vast majority of their promotional material. The Majesty symbol is derived from Mary Queen of Scots' mark,^[9] which was re-worked by Charlie Dominici for use on the album artwork for When Dream and Day Unite.^[10]

1988 – 1990: When Dream and Day Unite

With this stability, Dream Theater concentrated on writing more material while playing more concerts in New York and in neighboring states. This eventually attracted the attention of Mechanic Records, a division of MCA. Dream Theater signed their first record contract with Mechanic on June 23, 1988^[8] and set out to record their debut album.

When Dream and Day Unite was released in 1989 to far less fanfare than the band had anticipated. Mechanic ended up breaking the majority of the financial promises they had made to Dream Theater prior to signing their contract, so the band was restricted to playing around New York City. The promotional tour for the album consisted of just five concerts, all of which were relatively local. Their first show was at Sundance in Bay Shore, New York opening for the classic rock power trio Zebra. ^[12].

After the fourth show, Dominici was fired because of personal and creative differences. Shortly after, however, the band Marillion asked Dream Theater to open for them at a gig at the Ritz in New York, so Dominici was given the opportunity to perform one last time. It would be another two years before Dream Theater had a replacement vocalist.

1991 – 1993: Images and Words and their first live album

Following Dominici's firing, Dream Theater fought successfully to be released from their contract with Mechanic, and set about auditioning singers and writing material for their next album. In their search for a new singer they auditioned over 200 people, among them former Fates Warning front man John Arch; all were turned down. In mid-1990, at a gig in New York, Dream Theater introduced Steve Stone as their new singer. He performed just three songs with the band before he was fired for performing less than adequately. It was five months before Dream Theater played another show, this time all-instrumental (under the name YtseJam). Until mid-1992 the band remained focused in an attempt to hire another singer and writing additional music.^[12]. It was during this period that they wrote the majority of what would become the 1992's Images and Words.

In late 1991, Kevin James LaBrie, of glam rock band Winter Rose, was flown from Canada to New York for an audition. LaBrie jammed on three songs with the band, and was immediately hired to fill the vocalist position. Once recruited, LaBrie decided to drop his first name to avoid confusion with the other Kevin in the band. For the next few months, the band returned to playing live shows (still mostly around NYC), while working on vocal parts for the music written before acquiring LaBrie. ATCO Records (now EastWest), a division of Elektra Records, signed Dream Theater to a seven album contract based on a three song demo (later made available as "The ATCO Demos" through the Dream Theater fan club).

The first album to be recorded under their new record contract was 1992's Images and Words. For promotion, the label released a CD Single and video clip for the song "Another Day", but neither made significant commercial impact. The song "Pull Me Under", however, managed to garner a high level of radio airplay without any organized promotion from the band or their label. In response, ATCO produced a video clip for "Pull Me Under", which saw heavy rotation on MTV. A third video clip was produced for "Take the Time", but it was not nearly as successful as "Pull Me Under".

The success of "Pull Me Under", combined with relentless touring throughout the U.S. and Japan, caused Images and Words to achieve gold record certification in the States and platinum status in Japan. A tour of Europe followed in 1993, which included a show at London's famed Marquee jazz club. The show was recorded and released as Live at the Marquee, Dream Theater's first official live album. Additionally, a video compilation of their Japanese concerts (mixed in with documentary-style footage of the off-stage portion of the tour) was released as .

1994: Awake

Eager to work on fresh material, Dream Theater retreated to the studio in May 1994. Awake, Dream Theater's third studio album, was released in October 1994 in a hail of controversy among fans. Shortly before the album was mixed, Moore announced to the rest of the band that he wished to concentrate on his own musical interests and would be quitting Dream Theater^[14]. Moore was simply no longer interested in touring, nor did he favor the style of music Dream Theater performed. As a result, the band had to scramble to find a replacement keyboardist before a tour could be considered.

Jens Johansson, who would go on to become a member of Stratovarius, was among the biggest names to audition; however, the band members were eager to fill the position with keyboardist Jordan Rudess. Portnoy and Petrucci had come across Rudess in Keyboard Magazine, where he was recognized as "best new talent" in the reader's poll. The two invited him to play a trial gig with the band at the Concrete Foundations Forum in Burbank, CA^[12]. For the members of Dream theater, the show went incredibly well, and Rudess was asked to fill the keyboardist position permanently; however, Rudess opted to tour with The Dixie Dregs instead since it granted him more personal latitude. Disappointed, Dream Theater hired fellow Berklee alumnus Derek Sherinian, whose previous work included stints with Alice Cooper and Kiss, to fill in for the Awake promotional tour. By the conclusion of the tour, the band decided to take Sherinian on as Moore's full-time replacement.

1995 – 1998: A Change of Seasons and Falling into Infinity

Once again finding themselves with a new member, Dream Theater did not immediately start working on new material. Fans around the world, united on the YtseJam Mailing List (the most popular form of communication between Dream Theater fans at that point), had started placing pressure on the band to officially release the song "A Change of Seasons". It had been written in 1989 and was intended to be a part of Images and Words, but at almost 17 minutes, it was deemed too long for studio placement. However, the band did perform it live on occasion while continuing to revise it in the years leading up to 1995.

The petition was successful, and the group entered BearTrack Studios in New York in April 1995 to rewrite and record the 23 minute song with Sherinian contributing significantly to the final product. To disseminate "A Change of Seasons", the band released it as an EP along with a collection of cover songs recorded live at the Uncovered fan club gig.

After a short run of small concerts to promote A Change of Seasons, Dream Theater took a break for a few months. To keep busy, however, the band released a special Christmas CD through their official fan club, consisting of rare live tracks recorded during the band's early years. They continued releasing a new CD each Christmas until 2005.^[16]Also during the break the individual members set out to write compositions for their upcoming collaborative writing sessions.

Meanwhile, there were several changes at EastWest, and Dream Theater's main contact within the label was fired. As a result, the new team at the company were unaccustomed to the relationship Dream Theater had with former EastWest personnel, and they pressured Dream Theater to write an album that was more accessible. At the end of 1996, they entered the studio to write their next album. In addition to pressuring the band to adopt a more mainstream sound, EastWest recruited writer/producer Desmond Child to work with Petrucci on polishing the lyrics to his song "You Or Me". The whole band substantially reworked the music to the song, and it appeared on the album as "You Not Me" with a chorus that was barely reminiscent of the original. Child also had a noticeable impact on the album, with a shift towards compositions that were less complex and more radio-friendly.

The band wrote almost two CDs worth of material, including a 20 minute long follow-up to the Images and Words song "". The label, however, did not allow the release of a double album because it felt that a 140-minute record would not be digestible by the general public. James LaBrie also felt that the CD should be a single disc.^[17] Most of the unused songs were released in other ways later on, either on fan club Christmas CDs, or at live shows.

The material that made it onto the album proper was released as Falling Into Infinity, which received a mixed reception from fans who were more familiar with the band's earlier sound. While the album was moderately progressive-sounding, tracks such as "Hollow Years" and "You Not Me" prompted some to believe it was the dawn of a new, mainstream-sounding Dream Theater. Overall, the album was both a critical and commercial disappointment. Although Portnoy didn't speak out publicly at the time, many years later, in the 2004 DVD commentary for 5 Years in a LIVEtime, he revealed that he had been so discouraged during this period he'd considered disbanding Dream Theater altogether.

During the European leg of the Falling Into Infinity world tour, two shows were recorded for a live album entitled Once In A LIVEtime, in France and The Netherlands. The album was released at around the same time as the video 5 Years in a LIVEtime, which chronicled the time from when Kevin Moore left the band up to the Falling Into Infinity promotional tour.

1999 – 2000: Scenes from a Memory and first live DVD

In 1997, Magna Carta Records' Mike Varney invited Portnoy to assemble a progressive 'supergroup' to work on an album, which would become the first in a long string of side-projects for the members of Dream Theater ^[18]. The lineup consisted of Portnoy on drums, Petrucci on guitar, Tony Levin on bass, and keyboardist Jordan Rudess, who had finished with the Dixie Dregs. The band assumed the name Liquid Tension Experiment, and would act as a medium through which Portnoy and Petrucci could once again court Rudess to join Dream Theater. In 1999, he accepted an offer to become the third full-time Dream Theater keyboardist, replacing Sherinian.

With yet another new member, Dream Theater entered BearTracks Studio once again to write and record their next album. As a result of an ultimatum from Portnoy, the label gave the band complete creative control. The follow-up to "Metropolis Part 1", which was written during the Falling Into Infinity sessions (but not used on that album), was taken off the shelf for reworking. They decided to expand the 20-minute song into a complete concept album, with a story revolving around themes such as reincarnation, murder and betrayal. To avoid stirring up the fan base, a tight veil of secrecy enveloped the writing and recording process. The only things fans were privy to prior to its release were a track list that had been leaked against the band's wishes, and a release date. In 1999, was released to high critical acclaim. It was hailed as Dream Theater's masterpiece by many fans and critics alike, despite only reaching #73 on the US album chart.^[1]

A massive world tour followed, taking over a year to complete, by far their largest to that point. The concerts reflected the theatrical aspect of the album. They played the entire Scenes From a Memory album from start to finish, with a video screen on the back wall of the stage showing a narrative companion to the story of the album. In addition to playing the album in its entirety, the band also played a second set of Dream Theater songs, as well as a few covers and improvisations of old Dream Theater material. For one extra special show, at the Roseland Ballroom in New York City, actors were hired to play characters in the story, and a gospel choir was enlisted to perform in some sections of the performance.

This show, the last North American date of the tour, was recorded for the band's first DVD release. After many technical delays, the DVD, titled , was released in early 2001. Shortly after, the band announced that an audio version of the concert, with the entire four-hour long set-list (most of which had to be cut from the DVD to save space), would be released.

The cover for the CD version of the concert, titled Live Scenes From New York, depicted one of Dream Theater's early logos (the Images And Words-era burning heart, modeled on the Sacred Heart of Christ) modified to show an apple (as in "Big Apple") instead of the heart, and the New York skyline, including the twin towers of the World Trade Center, in the flame above it. In an unfortunate coincidence, the album was released on the same date as the September 11, 2001 attacks. The album was quickly recalled by the band and was re-released with revised artwork later^[20].

2002: Six Degrees of Inner Turbulence

Putting the whole ordeal behind them, Dream Theater once again entered BearTracks Studios to record their sixth studio album. Four years after they first petitioned EastWest to allow them to release a double album, they finally got their chance with Six Degrees of Inner Turbulence. The first disc consisted of five tracks of 7-13 minutes in length, and the second disc was devoted entirely to the 42-minute title track, which is to date the longest song Dream Theater has written. The genesis of that song came when Rudess wrote what would become the "Overture" section of "Six Degrees of Inner Turbulence", and the band took some different melodies and ideas contained within it and expanded them into chapters of the complete piece.

Six Degrees of Inner Turbulence ended up being received very well by critics and the press. It was the most publicized of Dream Theater's albums since Awake, debuting on the Billboard charts at #46^[1] and the Billboard Internet charts at #1.^[22] Throughout the next year and a half they toured the world once more, with an expanded live show including a select few special "album cover" gigs (see Cover songs section, below), in which they played Metallica's Master of Puppets and Iron Maiden's The Number of the Beast in their entirety.

2003 – 2004: Train of Thought

The year of 2003 saw a reunion between Kevin Moore and Mike Portnoy, nine years after Moore left Dream Theater. Jim Matheos, guitarist and songwriter for Fates Warning, recruited the pair, along with Sean Malone, to perform in his OSI project. Their debut album, Office of Strategic Influence, can be described as a heavier version of Moore's Chroma Key work, and it was very well received by most of the prog world including Dream Theater fans. It was quite a departure for Portnoy to take drumming direction from Moore and Matheos, since he was essentially playing the role of band member, rather than the band leader role he was accustomed to in Dream Theater, but many critics have applauded his drumming with OSI.

Also during 2003, Dream Theater entered the studio to write and record another album. Since Scenes From A Memory was written and recorded simultaneously in the studio, in the spirit of change, the band took a different approach by setting aside three weeks for writing prior to recording. In the middle of the recording sessions for the album, a special tour with two other progressive metal bands, Queensrÿche and Fates Warning, was undertaken in North America. The "Escape From The Studio American tour", as it was referred to in Dream Theater's promotional material, featured Queensÿche and Dream Theater as co-headlining acts with Fates Warning performing supporting act duties. As a finale for each concert there was an extended encore in which both Dream Theater and Queensrÿche performed together on stage simultaneously, often playing cover songs.

At the completion the tour, Dream Theater returned to the studio to finish the recording of their seventh album, Train of Thought. They concentrated more on writing a great song-oriented album, a mindset inspired by covering Master of Puppets and Number of the Beast on a previous concert tour. As a result, the heavy metal sound of those two albums seemed to creep into Train of Thought. The album was a critical success, but it alienated a fair proportion of Dream Theater's fans that enjoy traditional progressive rock such as Yes or King Crimson more than modern heavy metal like Tool. Regardless, it seemed to expand Dream Theater's fan base into new territory, that of mainstream heavy metal.

Another world tour followed, during which Dream Theater performed support act duties for one of their major influences, Yes. A modest North American tour was completed by the two bands, after which Dream Theater continued to tour the world with their so-called "An Evening With Dream Theater" shows.

Their next move was to release another live CD/DVD combination, this time recorded at the famous Nippon Budokan Hall in Tokyo, Japan on their Train of Thought world tour. Live at Budokan was released on October 5, 2004, and further propelled Dream Theater's reputation as one of the premier live acts in progressive metal.

2005 – 2006: Octavarium and Score

Upon the completion of their Train of Thought promotional tour, Dream Theater entered the Hit Factory studios in NYC to record their eighth album. As it turned out, they would be the last group ever to record in that famous studio, and after they wrapped up their final session, the lights were turned off at the studio forever.

Octavarium, was released on June 7, 2005 and took the band's sound in yet another new direction. Among its eight songs is a continuation of Portnoy's "Alcoholics Anonymous" suite ("The Root of All Evil", steps 6-7 in the 12-step plan), as well as the title track, a musically versatile 24 minute epic rivaling "A Change of Seasons". Like nearly every album by the band, Octavarium received mixed reviews from fans and has been the subject of spirited debate. In particular, some fans thought that the band wore its musical influences too prominently on its sleeve (e.g. "Never Enough" has been compared to Muse's "Stockholm Syndrome"^[23] and the relatively radio-friendly "I Walk Beside You," which combines a sound reminiscent of U2 and Coldplay)^[24]. Octavarium was the last album under their seven-album deal with Elektra Records, which had inherited the contract upon its absorption of EastWest Records.

Dream Theater toured extensively throughout 2005 and 2006 to celebrate their 20th Anniversary as a band, including a headlining spot on Gigantour. During a show on August 2, 2005 in Dallas, the band paid tribute to Pantera's late guitarist Dimebag Darrell by performing the song "Cemetery Gates" as an encore. In addition was the unexpected appearance of fellow musicians Russell Allen, Burton C. Bell and Dave Mustaine, who joined the band on stage to perform parts of the song.

Dream Theater later departed from Gigantour and continued on with their own series of concerts. The 20th anniversary tour concluded with a show at Radio City Music Hall in New York City on April 1, 2006. Though the show had minimal promotion, it was sold out days after tickets were made available. This show, which was recorded for a CD/DVD called Score released on August 29, 2006 through Rhino Records, was the band's first concert accompanied by a full symphonic orchestra (the "Octavarium Orchestra").

2007: Systematic Chaos

Dream Theater's latest album Systematic Chaos was released on June 5, 2007. The record marked their first with new label Roadrunner Records, a subsidiary of Atlantic Records. Roadrunner implemented increased promotion for the album, and as a result, Systematic Chaos reached number 19 on the Billboard 200, marking the highest initial charting album in Dream Theater's career.^[25] It also saw the release of a video for "Constant Motion" on July 14, the band's first music video since the mid-1990s. An authorized book entitled Lifting Shadows, detailing their first twenty years, is also set for release before the end of 2007.^[26] Systematic Chaos contains eight tracks, but technically only seven songs. The album contains an epic titled "In the Presence of Enemies", bookending the album as tracks 1 and 8, Portnoy's continuing AA Saga with the song "Repentance", and a song of political nature, "Prophets of War".

The 2007/2008 Chaos In Motion World Tour started off in Italy. Dream Theater played in the Gods of Metal concert on June 3, 2007.^[27] Dream Theater also appeared at the Fields Of Rock Festival in the Netherlands on June 17, 2007^[28]. They also played at various other European festivals including the UK's Download Festival and the French festival Hellfest Summer Open Air with other bands such as Megadeth, Korn, Mastodon and Slayer.

Dream Theater returned to perform the North American leg of the tour on July 24 in San Diego, California and wrapped up on August 26 in Philadelphia, Pennsylvania. They played with opening acts Redemption and Into Eternity. Dream Theater will continue their "Chaos In Motion" tour for the rest of the year and into 2008, where further shows in Europe, Asia, South America and Australia are anticipated. The band has also mentioned a return to U.S. live shows in the Spring of 2008, in which Opeth will be opening for them. ^[29]

Live performances

Throughout their career, Dream Theater's live shows have gradually become bigger, longer, and more diverse. The most obvious example of this is their rotational set list policy. That is, every single night of every tour has its set list devised by Portnoy using a meticulous process that ensures its uniqueness. Factors such as set lists from previous cities are taken into account to ensure that people who see Dream Theater multiple times within the same area will not see the same songs performed twice, and even the set list from the last time the band was in a particular city is taken into account for the benefit of fans who see the band on successive tours.^[30] For this to be possible, the band prepares to play the majority of its catalogue at any performance, depending on what Portnoy decides to program for that night. This process also requires the employment of a complex lighting system to load pre-configured lighting cues based on the individual songs.

Some of Dream Theater's more notable touring partners include Deep Purple, Emerson Lake and Palmer, Iron Maiden, Joe Satriani, King's X, Marillion, Megadeth, In Flames, Pain of Salvation, Porcupine Tree, Queensrÿche, Spock's Beard, Fear Factory, Enchant, Symphony X, and Yes. In 2005, Dream Theater toured North America with the Gigantour festival, co-headlining with Megadeth.

The band's full world tours, since Six Degrees of Inner Turbulence, have predominantly been so-called "Evening with..." tours, in which the band performs for at least three hours with an intermission and no opening act. The show that was recorded for Live Scenes From New York was nearly four hours in length, and resulted in Portnoy almost being hospitalized.^[31][32]

There is also a significant amount of humor, casualness, and improvisation attached to a Dream Theater concert. In the midst of "A Change of Seasons" it is quite common for themes such as those for Major League Baseball and The Simpsons to be quoted, and Rudess routinely modifies his solo section in the song and others, often playing the ragtime section of "When the Water Breaks" from Liquid Tension Experiment 2. Other quotations include "Mary Had a Little Lamb" during "Endless Sacrifice" on the Gigantour, a calliope-inspired break between verses of "Under a Glass Moon", a quote of "Don't Cry for Me, Argentina"'s main melody played by Petrucci while performing the intro solo of "Through Her Eyes" in Buenos Aires, and the Turkish March at a concert in Istanbul. On the most recent "20th Anniversary World Tour" Rudess has even thrown in a short "Twinkle, Twinkle, Little Star" theme in a break during "Endless Sacrifice".

Occasionally, a member of the audience is picked at random to perform on stage, an example of which can be seen during Portnoy's drum solo on the Live at Budokan DVD. There have also been many impromptu renditions of "Happy Birthday" when a member of the band or crew have a birthday corresponding to a tour date, which normally results in a birthday cake being thrown at the subject.

Perhaps the best example of Dream Theater's unpredictable concert structure is that during Derek Sherinian's time with the band, at selected shows the band members all swapped instruments and performed an encore as the fictitious band dubbed Nightmare Cinema. They usually performed a cover of Deep Purple's "Perfect Strangers", and, on one occasion, Ozzy Osbourne's "Suicide Solution." At some shows, Sherinian, Petrucci and Portnoy would take the stage together under the name "Nicky Lemons and the Migraine Brothers". Sherinian, wearing a feather boa and novelty sunglasses, would perform a pop-punk song entitled "I Don't Like You" with Petrucci and Portnoy backing.

Dream Theater's largest audience as a headlining act was 20,000 in Santiago, Chile on December 6, 2005. ^[33] This was during their first tour of South American countries.

Bootleg culture

Dream Theater is one of the most actively bootlegged bands in the progressive metal genre. Since their very first gigs in New York as Majesty, fans have recorded almost every single show that Dream Theater have played (occasionally there are three or four versions of a single concert), and some very elaborate and professional recordings have been released.

However, not every member in the band tolerates the release of Dream Theater bootlegs. Portnoy is the most pro-bootlegging member, since he was an avid collector of many bootlegs in his younger days and keeps his own personal archive of Dream Theater material in his basement. Petrucci and LaBrie have voiced opposition to people recording their concerts. Petrucci takes issue with bootleggers because he prefers audience members to concentrate on the musicians on stage, and not the level adjustments on their recording device. LaBrie, on the other hand, argues that bootlegging takes ownership and control over Dream Theater's performances away from the band themselves and into the hands of the public. Myung has expressed mild opposition to bootlegging, but in some interviews has mentioned that he does not particularly take great issue with it.

Dream Theater have released a series of official bootlegs, demos and other rarities through YtseJam Records, headed by Portnoy ^[34]. They include demos the band put out before official albums, as well as many live shows, including shows where the band has covered a particular album. Albums covered include Dark Side of the Moon, Made in Japan, Master of Puppets, and Number of the Beast.

Cover songs

Dream Theater have been known for covering other artists' work throughout their career. They took this practice to a new level during the promotional tour for Six Degrees of Inner Turbulence. At three special gigs, one each in Barcelona, Chicago and New York City, they covered Metallica's Master of Puppets album in its entirety after a full set of Dream Theater material. This came as a surprise to fans, as there was no sign that this was to occur, other than it being announced that the gigs involved, which were the second of a two-night stand in each city, would be "extra special". This tradition can most likely be traced back to one of Mike Portnoy's favorite bands, Phish, who began a series of performing "musical costumes" of entire albums from other artists each Halloween beginning in 1994. Portnoy devised this "album cover" as the first in a series of gigs to be played as tributes to bands that had been influential in the formation and development of Dream Theater. The covers set divided many fans who attended the shows, with some people saying that they went to a Dream Theater concert to see original music and not another artist's work. Others, however, said that it was a bonus and not a replacement for a normal Dream Theater concert, since an ordinary gig had been played the night before.

On the next leg of the tour they covered Iron Maiden's The Number of the Beast and received a similar reaction to Master of Puppets, although it was already known that a cover was to be performed that night because the tour itinerary included two successive gigs in a single city. On October 11, 2005, Dream Theater covered Pink Floyd's Dark Side of the Moon. Dream Theater's official webpage stated that the second sets of the second nights in Amsterdam, London, Buenos Aires, São Paulo and Tokyo (October 11, October 25, December 4, December 11 and January 13 respectively), and also the second set of the January 15 show in Osaka, would be a classic album covered in its entirety. Dark Side of the Moon was played again on October 25 in London. However, in Buenos Aires (December 4) and São Paulo (December 11) the 'classic album' played was Dream Theater's own , to make up for not having visited Argentina and Brazil in their Metropolis 2000 tour. On January 13, 2006 (Tokyo) and on the 15th (Osaka), Dream Theater covered Deep Purple's live album Made in Japan. Portnoy says that he has one more cover show planned, but refuses to reveal when it will occur, or what album will be covered.^[35]

During Gigantour 2005, Dream Theater did a cover of Pantera's "Cemetery Gates" as a tribute to the late "Dimebag" Darrel Lance Abbott. As an added bonus, they had Burton C. Bell of Fear Factory, and Russell Allen of Symphony X do guest vocals and Dave Mustaine of Megadeth, do the main solo for the song.

In addition, Dream Theater released several live cover songs on their EP A Change of Seasons, including songs from Elton John, Deep Purple, Led Zeppelin, Queen, Pink Floyd, Genesis, Journey, Kansas, and Dixie Dregs.

Discography

Main article: Dream Theater discography

Studio releases

• 1989 - When Dream and Day Unite
• 1992 - Images and Words
• 1994 - Awake
• 1995 - A Change of Seasons (EP)
• 1997 - Falling into Infinity
• 1999 -
• 2002 - Six Degrees of Inner Turbulence
• 2003 - Train of Thought
• 2005 - Octavarium
• 2007 - Systematic Chaos

Awards and certificates

RIAA gold and platinum certification

• Images and Words (Gold) - February 2, 1995
• Metropolis 2000: Live Scenes From New York (Gold) - November 8, 2002
• Live at Budokan (DVD) (Platinum) - January 26, 2005
• Live in Tokyo/5 Years in a Livetime (Platinum) - March 22, 2006
• Score (DVD) (Platinum) - October 11, 2006

^[36]

Keyboard Magazine

Jordan Rudess was awarded the following Keyboard Magazine Reader's Poll award:

• Best New Talent (1994)

Modern Drummer

Mike Portnoy won the following Modern Drummer magazine Reader's Poll awards;

• Best Up & Coming Talent (1994)
• Best Progressive Rock Drummer (1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006)
• Best Recorded Performance (1995 for Awake, 1996 for A Change of Seasons, 1998 for Falling Into Infinity, 2000 for Metropolis, Pt. 2: Scenes From a Memory, 2002 for Six Degrees of Inner Turbulence, and 2007 for Score)
• Best Clinician (2000, 2002)
• Best Educational Video/DVD (2000, 2002)
• Hall of Fame Inductee (2004)

Guitar World

The album was ranked #95 on the magazine's list of the 100 Greatest Guitar Albums of All Time.

Other recognitions

At Dream Theater's Salt Lake City show, Governor Jon Huntsman, Jr. signed a proclamation making July 30th, 2007 "Dream Theater Day" in the state of Utah.

See also

• List of Dream Theater songs by lyricist
• List of rock instrumentals
• Liquid Tension Experiment
• Nightmare Cinema

Notes

References

• Bredius, Mark. Dream Theater - The Official Site. (Retrieved February-April, 2005.)
• Dixon, Brad et al. Official Dream Theater FAQ. (Retrieved February-April, 2005, moved c. 2007.)
• Hansen, Scott & Portnoy, Mike. Dream Theater Tourography. (Retrieved February-April, 2005.)
• King, Brian. (2003). "JaM Progductions! Interview with John Petrucci and Mike Portnoy". Theater of Dreams 29, pp. 14-20.
• Hansen, Scott. (2003). "James LaBrie: As this man thinks". Theater of Dreams 27/28, pp. 26-30.
• Hale, Mark (1993). "1731 Majesty", Headbangers, First edition, second printing, Ann Arbor, Michigan: Popular Culture, Ink. ISBN 1-56075-029-4.Michigan&rft.isbn=1-56075-029-4"> 

External links

• Official website
• Dream Theater at MySpace
• YtseJam Records
• Mike Portnoy's website, featuring an entire tourography of Dream Theater
• Recent Tour Photos
• Fan Forum

•  • [ e] Dream Theater
James LaBrie | John Myung | John Petrucci | Mike Portnoy | Jordan Rudess
Chris Collins | Charlie Dominici | Kevin Moore | Derek Sherinian
Discography
Albums and extended plays: When Dream and Day Unite | Images and Words | Awake | A Change of Seasons | Falling into Infinity | | Six Degrees of Inner Turbulence | Train of Thought | Octavarium | Systematic Chaos
Live albums: Live at the Marquee | Once in a LIVEtime | Live Scenes from New York | Live at Budokan | Score
Videos and DVDs: | 5 Years in a Livetime | | Live at Budokan | Score
Singles: Another Day | Lie | The Silent Man | Hollow Years | Through Her Eyes | Constant Motion
Suites: A Mind Beside Itself | Alcoholics Anonymous suite
Other notable songs: Pull Me Under | | The Mirror | A Change of Seasons | The Glass Prison | Six Degrees of Inner Turbulence | Stream of Consciousness | Instrumedley | Octavarium | In the Presence of Enemies
Side projects
Nightmare Cinema | Jelly Jam | Liquid Tension Experiment | MullMuzzler | OSI | Platypus | Transatlantic | True Symphonic Rockestra
Related articles
Dominici | Explorers Club | G3 | Gigantour | Lifting Shadows | Majesty demos | Meanstreak | Songs by lyricist | YtseJam Records