John Gay
Information about John Gay
John Gay (30 June,1685 - 4 December,1732) was an English poet and dramatist. He is best remembered for The Beggar's Opera (1728), set to music by Johann Christoph Pepusch. The characters, including Captain Macheath and Polly Peachum, became household names.
The dedication of his Rural Sports (1713) to Alexander Pope was the beginning of a lasting friendship. In 1714, Gay wrote The Shepherd's Week, a series of six pastorals drawn from English rustic life. Pope had urged him to undertake this task in order to ridicule the Arcadian pastorals of Ambrose Philips, who had been praised by The Guardian, to the neglect of Pope's claims as the first pastoral writer of the age and the true English Theocritus. Gay's pastorals completely achieved this goal, but his ludicrous pictures of the English country lads and their loves were found to be entertaining on their own account.
Gay had just been appointed secretary to the British ambassador to the court of Hanover through the influence of Jonathan Swift when the death of Queen Anne three months later put an end to all his hopes of official employment.
In 1715, probably with some help from Pope, he produced What d'ye call it?, a dramatic skit on contemporary tragedy, with special reference to Thomas Otway's Venice Preserved. It left the public so ignorant of its real meaning that Lewis Theobald and Benjamin Griffin published a Complete Key to what d'ye call it to explain it. In 1716 appeared his Trivia, or the Art of Walking the Streets of London, a poem in three books, for which he acknowledged having received several hints from Swift. It contains graphic and humorous descriptions of the London of that period. In January 1717 he produced the comedy, Three Hours after Marriage, which was grossly indecent without being amusing, and was a complete failure. He had assistance from Pope and John Arbuthnot, but they allowed it to be assumed that Gay was the sole author.
Gay had numerous patrons, and in 1720 he published Poems on Several Occasions by subscription, taking in £1000 or more. In that year James Craggs, the secretary of state, presented him with some South Sea stock. Gay, disregarding the advice of Pope and others of his friends, invested all his money in South Sea stock, and, holding on to the end of the South Sea Bubble, he lost everything. The shock is said to have made him dangerously ill. His friends did not fail him at this juncture. He had patrons in William Pulteney, afterwards Earl of Bath, in the third Earl of Burlington, who constantly entertained him at Chiswick or at Burlington House, and in the third Duke of Queensberry. He was a frequent visitor with Pope, and received unvarying kindness from William Congreve and Arbuthnot. In 1727 he wrote for Prince William, afterwards Duke of Cumberland, his famous Fifty-one Fables in Verse, for which he naturally hoped to gain some preferment, although he has much to say in them of the servility of courtiers and the vanity of court honours. He was offered the situation of gentleman-usher to the Princess Louisa, who was still a child. He refused this offer, which all his friends seem to have regarded, for no very obvious reason, as an indignity. He had never rendered any special services to the court.
He certainly did nothing to conciliate the favour of the government by his next production, The Beggar's Opera, a lyrical drama produced on the January 29, 1728 by John Rich, in which Sir Robert Walpole was caricatured. This famous piece, which was said to have made "Rich gay and Gay rich," was an innovation in many respects. The satire of the play has a double allegory. The characters of Peachum and Macheath represent the famous highwayman and gangster Jonathan Wild and the cockney housebreaker Jack Sheppard. At the same time, Jonathan Wild was understood to represent Robert Walpole, whose government had been tolerant of Wild's thievery and the South Sea directors' escape from punishment. Under cover of the thieves and highwaymen who figured in it was disguised a satire on society, for Gay made it plain that in describing the moral code of his characters he had in mind the corruptions of the governing class. Part of the success of the Beggar's Opera may have been due to the acting of Lavinia Fenton, afterwards Duchess of Bolton, in the part of Polly Peachum. The play ran for sixty-two nights. Swift is said to have suggested the subject, and Pope and Arbuthnot were constantly consulted while the work was in progress, but Gay must be regarded as the sole author.
He wrote a sequel, Polly, relating the adventures of Polly Peachum in the West Indies; its production was forbidden by the Lord Chamberlain, no doubt through the influence of Walpole. This act of "oppression" caused no loss to Gay. It proved an excellent advertisement for Polly, which was published by subscription in 1729, and brought its author several thousand pounds. The Duchess of Queensberry was dismissed from court for enlisting subscribers in the palace. The Duke of Queensberry gave Gay a home, and the duchess continued her affectionate patronage until Gay's death, which took place on December 4, 1732. He was buried in Westminster Abbey. The epitaph on his tomb is by Pope, and is followed by Gay's own mocking couplet:
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Biography
Gay was born in Barnstaple, England and was educated at the town's grammar school. On leaving school he was apprenticed to a silk mercer in London, but being weary, according to Samuel Johnson, "of either the restraint or the servility of his occupation," he soon returned to Barnstaple, where he spent some time with his uncle, the Rev. John Hanmer, the Nonconformist minister of the town. He then returned to London.The dedication of his Rural Sports (1713) to Alexander Pope was the beginning of a lasting friendship. In 1714, Gay wrote The Shepherd's Week, a series of six pastorals drawn from English rustic life. Pope had urged him to undertake this task in order to ridicule the Arcadian pastorals of Ambrose Philips, who had been praised by The Guardian, to the neglect of Pope's claims as the first pastoral writer of the age and the true English Theocritus. Gay's pastorals completely achieved this goal, but his ludicrous pictures of the English country lads and their loves were found to be entertaining on their own account.
Gay had just been appointed secretary to the British ambassador to the court of Hanover through the influence of Jonathan Swift when the death of Queen Anne three months later put an end to all his hopes of official employment.
In 1715, probably with some help from Pope, he produced What d'ye call it?, a dramatic skit on contemporary tragedy, with special reference to Thomas Otway's Venice Preserved. It left the public so ignorant of its real meaning that Lewis Theobald and Benjamin Griffin published a Complete Key to what d'ye call it to explain it. In 1716 appeared his Trivia, or the Art of Walking the Streets of London, a poem in three books, for which he acknowledged having received several hints from Swift. It contains graphic and humorous descriptions of the London of that period. In January 1717 he produced the comedy, Three Hours after Marriage, which was grossly indecent without being amusing, and was a complete failure. He had assistance from Pope and John Arbuthnot, but they allowed it to be assumed that Gay was the sole author.
Gay had numerous patrons, and in 1720 he published Poems on Several Occasions by subscription, taking in £1000 or more. In that year James Craggs, the secretary of state, presented him with some South Sea stock. Gay, disregarding the advice of Pope and others of his friends, invested all his money in South Sea stock, and, holding on to the end of the South Sea Bubble, he lost everything. The shock is said to have made him dangerously ill. His friends did not fail him at this juncture. He had patrons in William Pulteney, afterwards Earl of Bath, in the third Earl of Burlington, who constantly entertained him at Chiswick or at Burlington House, and in the third Duke of Queensberry. He was a frequent visitor with Pope, and received unvarying kindness from William Congreve and Arbuthnot. In 1727 he wrote for Prince William, afterwards Duke of Cumberland, his famous Fifty-one Fables in Verse, for which he naturally hoped to gain some preferment, although he has much to say in them of the servility of courtiers and the vanity of court honours. He was offered the situation of gentleman-usher to the Princess Louisa, who was still a child. He refused this offer, which all his friends seem to have regarded, for no very obvious reason, as an indignity. He had never rendered any special services to the court.
He certainly did nothing to conciliate the favour of the government by his next production, The Beggar's Opera, a lyrical drama produced on the January 29, 1728 by John Rich, in which Sir Robert Walpole was caricatured. This famous piece, which was said to have made "Rich gay and Gay rich," was an innovation in many respects. The satire of the play has a double allegory. The characters of Peachum and Macheath represent the famous highwayman and gangster Jonathan Wild and the cockney housebreaker Jack Sheppard. At the same time, Jonathan Wild was understood to represent Robert Walpole, whose government had been tolerant of Wild's thievery and the South Sea directors' escape from punishment. Under cover of the thieves and highwaymen who figured in it was disguised a satire on society, for Gay made it plain that in describing the moral code of his characters he had in mind the corruptions of the governing class. Part of the success of the Beggar's Opera may have been due to the acting of Lavinia Fenton, afterwards Duchess of Bolton, in the part of Polly Peachum. The play ran for sixty-two nights. Swift is said to have suggested the subject, and Pope and Arbuthnot were constantly consulted while the work was in progress, but Gay must be regarded as the sole author.
He wrote a sequel, Polly, relating the adventures of Polly Peachum in the West Indies; its production was forbidden by the Lord Chamberlain, no doubt through the influence of Walpole. This act of "oppression" caused no loss to Gay. It proved an excellent advertisement for Polly, which was published by subscription in 1729, and brought its author several thousand pounds. The Duchess of Queensberry was dismissed from court for enlisting subscribers in the palace. The Duke of Queensberry gave Gay a home, and the duchess continued her affectionate patronage until Gay's death, which took place on December 4, 1732. He was buried in Westminster Abbey. The epitaph on his tomb is by Pope, and is followed by Gay's own mocking couplet:
- Life is a jest, and all things show it,
- I thought so once, and now I know it.
Partial list of works
- The Present State of Wit - 1711
- The Rural Sports - 1713
- The Shepherd's Week - 1714
- The What D'ye Call It - 1715
- Trivia, or The Art of Walking the Streets of London - 1716
- Poems on Several Occasions - 1720
- Fifty-one Fables in Verse - 1727
- The Beggar's Opera - 1728
- Polly - 1729
- Achilles - 1733
- The Distress'd Wife - 1734
- Fables - 1738
- Wine
External links
- Works by John Gay at Project Gutenberg
- Luminarium: John Gay Life, extensive collection of works, study resources
- See also: John Gay, English moral philosopher (1699-1745)
June 30 is the 1st day of the year (2nd in leap years) in the Gregorian calendar. There are 0 days remaining.
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A poet is a person who writes poetry. This is usually influenced by a cultural and intellectual tradition. Some consider the best poetry to be, to some extent, and universal, and to address issues common to all humanity; others are more absorbed by its particular, personal and
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A playwright, also known as a 'dramatist', is a person who writes dramatic literature or drama. These works may be written specifically to be performed by actors or they may be closet dramas or literary works written using dramatic forms but not meant for performance.
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The Beggar's Opera is a ballad opera, a satiric play using some of the conventions of opera, but without the recitative. It is one of the watershed plays in Augustan drama.
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Johann Christoph Pepusch (1667- 20 July, 1752) was a German-born composer, who spent most of his working life in England.
At age 14, he was appointed to the Prussian court.
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At age 14, he was appointed to the Prussian court.
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Barnstaple
Barnstaple ()
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Motto
Dieu et mon droit (French)
"God and my right"
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No official anthem specific to England — the anthem of the United Kingdom is "God Save the Queen".
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Dieu et mon droit (French)
"God and my right"
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No official anthem specific to England — the anthem of the United Kingdom is "God Save the Queen".
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A grammar school is a school that may, depending on regional usage as exemplified below, provide either secondary education or, a much less common usage, primary education (also known as "elementary").
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The term Mercer for a kind of trader is now largely obsolete. Mercers were formerly merchants or traders who dealt in cloth, typically fine cloth that was not produced locally.
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Canary Wharf is the centre of London's modern office towers
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Samuel Johnson
Samuel Johnson circa 1772,
painted by Sir Joshua Reynolds.
Born: September 18 [O.S. September 7] 1709
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Died: November 13 1784
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Samuel Johnson circa 1772,
painted by Sir Joshua Reynolds.
Born: September 18 [O.S. September 7] 1709
Lichfield, England
Died: November 13 1784
London, England
Occupation: poet, biographer,
essayist, lexicographer
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Nonconformism is in general the refusal to conform to common standards, conventions, rules, customs, traditions, norms or laws. In specific usage (usually capitalized), however, it refers to the Protestant Christians of England who refused to "conform", or follow the governance and
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Alexander Pope
Alexander Pope (c.1727), an English poet best known for his Essay on Criticism, Rape of the Lock and The Dunciad
Born: May 21 1688
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Alexander Pope (c.1727), an English poet best known for his Essay on Criticism, Rape of the Lock and The Dunciad
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Pastoral, as an adjective, refers to the lifestyle of shepherds and pastoralists, moving livestock around larger areas of land according to seasons and availability of water and feed.
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Ambrose Philips, (1674 – June 18, 1749), was an English poet.
He was born in Shropshire of a Leicestershire family. He was educated at Shrewsbury School and St John's College, Cambridge, of which he became a fellow in 1699.
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He was born in Shropshire of a Leicestershire family. He was educated at Shrewsbury School and St John's College, Cambridge, of which he became a fellow in 1699.
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The Guardian was a short-lived newspaper published in London in 1713. It was founded by Richard Steele and featured contributions from Joseph Addison, Thomas Tickell and Ambrose Philips.
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Theocritus (Greek Θεόκριτος), the creator of ancient Greek bucolic poetry, flourished in the 3rd century BC.
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Jonathan Swift (November 30, 1667 – October 19, 1745) was an Irish cleric, satirist, essayist, political pamphleteer (first for Whigs then for Tories), and poet, famous for works like Gulliver's Travels, A Modest Proposal, A Journal to Stella
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Anne (6 February 1665 – 1 August 1714) became Queen of England, Scotland and Ireland on 8 March 1702, succeeding William III and II. Her Roman Catholic father, James II and VII, was forcibly deposed in 1688; her brother-in-law and her sister then became joint monarchs as
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