Kouroi
Information about Kouroi
For the Greek ultramarathon runner, see .
The Ancient Greek word kouros meant a male youth, and is used by Homer to refer to young soldiers. From the fifth century the word connoted specifically an adolescent, beardless male, but not a child. Compare ephebos.
A kouros (plural kouroi) is a statue of a male youth, especially those dating from the Archaic Period of Greek sculpture (about 650 BC to about 500 BC). The earliest kouroi were made of wood (see xoanon) and have not survived, but by the seventh century the Greeks had learned from the Egyptians the art of carving stone with iron tools, and were making kouroi from stone, particularly marble from the islands of Paros and Samos. Modern art historians have used the word to refer to this specific type of male nude statue since the 1890s. Kouroi were also commonly known as "Apollos," since it was assumed that all kouroi depicted the ideally youthful Apollo.
Archaic kouroi were created at a time when Greece was under the cultural influence of Egypt, as can be seen by their characteristically rigid frontal striding pose, reminiscent of statues of Egyptian kings. Greeks would have seen such statues when visiting Egypt as merchants or mercenary soldiers hired by Egyptians. Kouroi nearly always stand with their arms hanging straight at their sides fingers curved, thumb foremost, although a few show one arm extended forward from the elbow, holding an offering. Like their kingly Egyptian prototypes, the kouros figures are often in the act of striding forward, head erect, eyes front, a faint smile (the "archaic smile") on their lips.
Kouroi are always naked, wearing at most a belt and occasionally boots. Their faces and heads show a cultural influence from Crete: they wear their hair long and braided or beaded in the Cretan fashion, and their eyes sometimes have a recognisably Egyptian aspect, which was copied in Cretan art.
Their female counterparts in sculpture are the korai, invariably dressed, who also exhibit the restrained "archaic smile". At the end of the sixth century, kouroi begin to show more relaxed poses and their hair styles become more typical of mainland Greece.
By the seventh century, the earliest period for which full-size sculptures exist, kouroi had come to serve two purposes. They were presented to temples as votive offerings by prominent Greeks, as is shown by the inscriptions which frequently appear on their plinths. They were also placed in cemeteries to mark the graves of prominent citizens. In cemeteries, kouroi showed the deceased as the Greek ideal of masculinity. In very early times, it is likely that kouroi were thought to possess magical properties, and to be inhabited by the daimon of the gods. Kouroi, however, were never intended to be representations of individuals. One of the best known kouroi is the grave-marker of Kroisos, an Athenian soldier. The inscription on his statue reads: "Stop and show pity beside the marker of Kroisos, dead, whom once in battle's front rank raging Ares destroyed." The word "marker" (sema) tells us that this is a symbolic representation of Kroisos, not a portrait.
A well-known example is the double kouros of Kleobis and Biton, found at Delphi. These statues date from about 580 BC and are representations of two legendary heroes of Argos in the Peloponnese. Although an inscription identifies them as Kleobis and Biton, they are typical kouroi, embodying the Archaic Peloponnesian virtues of filial piety and physical strength rather than actual persons. Another well-known archaic kouros is the sixth-century Kouros of Melos, which retains archaic frontality in the standardised pose.
The Kritios Boy, a kouros attributed to Kritios from about 490-80 BC (Acropolis Museum, Athens), exemplifies the change from Archaic to Classical sculpture at the time of the First Greco-Persian War; his realistic proportions and details are based on visual experience rather than the schematic ideals of the preceding generation or mathematically derived ideals, such as the Polyclitean canon established by Polyclitus.
In the sixth century kouroi grew larger as the Greeks became richer and more confident with marble sculpture. Some were three or even four times lifesize. Some of the largest were made for the Heraion of Samos, a great sanctuary of the goddess Hera on Samos, which was lavishly endowed by the tyrant Polycrates. One of these giant kouroi, at five metres tall the largest ever found, was unearthed in 1981 and is now in the Samos Archeological Museum, which had to be rebuilt to accommodate it. An inscription on its left thigh tells us that the statue was dedicated to Hera by an Ionian nobleman called Isches.
Most kouroi were commissioned by aristocrats as offerings to temples, or by the families of aristocrats to place over their graves. Marble sculpture was very expensive and only the wealthiest could afford to pay sculptors to create these works. Kouroi are therefore a representation of the wealth and power of the Greek aristocratic class, and as this class lost its power in the sixth century, so the kouros went out of fashion both politically and artistically.
By the end of the sixth century, the kouroi were giving way to naturalistic sculptures of living people. Among the earlier representations of real people are the statues of Harmodius and Aristogeiton, erected in Athens in about 500 BC. These figures (see the illustration at the Harmodius and Aristogeiton article) still show some of the formality of the kouros tradition, but are generally more lifelike. It is significant that these statues were a memorial to the establishment of Athenian democracy. They thus represent the replacement of both the kouros and the system of aristocratic rule which it represented.
See also
External links
- Kouros Photographs
- Samos Archaeological Museum
- Uncertain Provenance: The Getty Kouros
- Marble statue of a kouros (youth) at the Metropolitan Museum of Art, NYC
Gallery
Kouros in the National Archaeological Museum of Athens | Ancient Greek refers to the second stage in the history of the Greek language[1] as it existed during the Archaic (9th–6th centuries BC) and Classical (5th–4th centuries BC) periods in Greece. ..... Click the link for more information. Homer is the name given to the purported author of the early Greek poems the Iliad and the Odyssey. It is now generally believed that they were composed by illiterate aoidoi (rhapsodes) in an oral tradition in the 8th or 7th century BC. ..... Click the link for more information. Ephebos (often in the plural epheboi), also anglicised as ephebe (plural: ephebes) or archaically ephebus (plural: ephebi), is a Greek word for an adolescent age group or a social status reserved for that age in Antiquity. ..... Click the link for more information. ''' The archaic period in Greece (750 BC–480BC) is one of the five periods of Ancient Greek history, defined on the basis of pottery styles. Beginning in around 620 and ending in 480 the term is also used in a broader sense for a period spanning from 750 - 480. ..... Click the link for more information. Byzantine art is the term commonly used to describe the artistic products of the Eastern Roman Empire from about the 5th century until the fall of Constantinople in 1453. (The Roman Empire during this period is conventionally known as the Byzantine Empire. ..... Click the link for more information. xoanon (Greek: ξόανον; plural: ξόανα xoana, from the verb ξέειν, xein, to carve or scrape [wood][1]) was an Archaic wooden cult image of Ancient Greece. ..... Click the link for more information. Marble is a nonfoliated metamorphic rock resulting from the metamorphism of limestone, composed mostly of calcite (a crystalline form of calcium carbonate, CaCO3). It is extensively used for sculpture, as a building material, and in many other applications. ..... Click the link for more information. ..... Click the link for more information. Samos Σάμο? Samos City Geography Island Chain: North Aegean Area:[1] 477.395 km (0 sq.mi.) Highest Mountain: Mt. ..... Click the link for more information. In Greek and Roman mythology, Apollo (in Greek, Ἀπόλλων — Apóllōn or Ἀπέλλων — Apellōn), the ideal of the kouros ..... Click the link for more information. Dynasties of Pharaohs in Ancient Egypt Predynastic Egypt Protodynastic Period Early Dynastic Period 1st 2nd Old Kingdom 3rd 4th 5th 6th First Intermediate Period 7th 8th 9th 10th 11th (Thebes only) ..... Click the link for more information. Archaic smile was used by Greek Archaic sculptors, especially in the second quarter of the sixth century BCE, possibly to suggest that their subject was alive. The smile is flat and quite unnatural looking, although it could be seen as a movement towards naturalism, if such a move ..... Click the link for more information. Crete (Greek Κρήτη—classical transliteration Krētē, modern Greek transliteration Kríti; Ottoman Turkish گريد (Girit); Classical Latin Crēta, Vulgar Latin Candia ..... Click the link for more information. Kore (Greek - maiden; plural korai) is the name given to a type of ancient Greek sculpture of the Archaic period, the female equivalent of a kouros. The best-known example is the Lady of Auxerre at the Louvre. ..... Click the link for more information. votive deposit or votive offering is an object left in a sacred place for ritual purposes. Such items are a feature of modern and ancient societies and are generally made in order to gain favour with supernatural forces. ..... Click the link for more information. Daimon may refer to:
..... Click the link for more information. The Kroisos Kouros is a marble kouros from Anavyssos in Attica which functioned as a Grave Marker. The free-standing sculpture strides forward with the "archaic smile" playing slightly on his face. The sculpture is dated to c. 540-515BC and stands 1.95m high. ..... Click the link for more information. Ares (Ancient Greek: Ἄρης, ancient Greek Άρης [pron. "áris"]) is the son of Zues (ruler of the gods) and Medusa. ..... Click the link for more information. Kleobis and Biton is the name of two figures in Greek legend. It is also the name conventionally given to a pair of lifesize Archaic Greek statues, or kouroi, which are now in the Delphi Archaeological Museum, at Delphi Greece. ..... Click the link for more information. State Party Greece Type Cultural Criteria i, ii, iii, iv, vi Reference 393 Region Europe and North America Inscription History Inscription 1987 (11th Session) ..... Click the link for more information. ..... Click the link for more information. The Peloponnese or Peloponnesus (Greek: Πελοπόννησος Pelopónnisos; see also List of Greek place names) is a large peninsula in southern Greece, forming the part of the country south of the Gulf of Corinth. ..... Click the link for more information. The Kritios boy or Kritian Boy belongs to the Late Archaic period of ancient Greek sculpture that is the precursor to the later classical sculptures of athletes. The Kritian boy is thus named because it is attributed to Kritios who worked together with Nesiotes (Harmodius ..... Click the link for more information. Kritios was an Athenian sculptor, probably a pupil of Antenor, working in the early fifth century BCE, whose manner is on the cusp of the Late Archaic and the "severe style" of Early Classicism in Attica. He was the teacher of Myron. ..... Click the link for more information. Polykleit (or Polyklitos, Polycleitus, Polyclitus; Greek Πολύκλειτος'); called the Elder[1] was a Greek sculptor in bronze of the fifth and the early fourth century BC. ..... Click the link for more information. Polykleit (or Polyklitos, Polycleitus, Polyclitus; Greek Πολύκλειτος'); called the Elder[1] was a Greek sculptor in bronze of the fifth and the early fourth century BC. ..... Click the link for more information. Marble sculpture is the art of creating three-dimensional forms from marble. Sculpture is among the oldest of the arts. Even before painting cave walls, early humans fashioned shapes from stone. From these beginnings, artifacts have evolved to their current complexity. ..... Click the link for more information. A Heraion refers to a temple dedicated to the Greek goddess Hera; several temples of Antiquity, beginning with the Heraion of Samos, were dedicated to Hera. They are dispersed in the Mediterranean Basin and in the Near East: ..... Click the link for more information. In the Olympian pantheon of classical Greek Mythology, Hera, (Greek Ήρα, IPA pronunciation [ˈhiːrə]; or Here ( ..... Click the link for more information. Samos
Σάμο? Samos City Geography Island Chain: North Aegean Area:[1] 477.395 km (0 sq.mi.) Highest Mountain: Mt. ..... Click the link for more information. This article is copied from an article on Wikipedia.org - the free encyclopedia created and edited by online user community. The text was not checked or edited by anyone on our staff. Although the vast majority of the wikipedia encyclopedia articles provide accurate and timely information please do not assume the accuracy of any particular article. This article is distributed under the terms of GNU Free Documentation License. Search Dictionary(May not be accurate.)
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