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The
Leaning Tower of Pisa (
Italian:
Torre pendente di Pisa) or simply
The Tower of Pisa (
La Torre di Pisa) is the
campanile, or freestanding bell tower, of the
cathedral of the
Italian city of
Pisa. It is situated behind the Cathedral and it is the third structure in Pisa's
Piazza del Duomo (
Cathedral Square).
Although intended to stand vertically, the tower began leaning to the southeast soon after the onset of construction in
1173 due to a poorly laid foundation and loose
substrate that has allowed the foundation to shift direction.
The height of the tower is 55.86 m (183.27
ft) from the ground on the lowest side and 56.70 m (186.02 ft) on the highest side. The width of the walls at the base is 4.09 m (13.42 ft) and at the top 2.48 m (8.14 ft). Its weight is estimated at 14,500
tonnes. The tower has 294 steps. The tower leans at an angle of 5.5 degrees
[1]. This means that the top of the tower is 4.5 meters from where it would stand if the tower was perfectly vertical.
[2]
Construction
The Tower of Pisa was a work of art, performed in three stages over a period of about 177 years. Construction of the first floor of the white marble campanile began on
August 9,
1173, a period of military success and prosperity. This first floor is surrounded by pillars with classical capitals, leaning against blind arches.
There has been
controversy about the real identity of the
architect of the Leaning Tower of Pisa. For many years, the design was attributed to Guglielmo and
Bonanno Pisano [3], a well-known
12th-Century resident
artist of Pisa, famous for his
bronze casting, particularly in the
Pisa Duomo. Bonanno Pisano left Pisa in 1185 for
Monreale,
Sicily, only to come back and die in his home town. His
sarcophagus was discovered at the foot of the tower in 1820.
However recent studies seems to indicate Diotisalvi as the original architect, by construction affinities with his other works, like the
Baptistery in Pisa.
The tower began to sink after construction progressed to the third floor in 1178. This was due to a mere three-meter foundation, set in weak, unstable
subsoil. This means the design was flawed from the beginning. Construction was subsequently halted for almost a
century, because the
Pisans were almost continually engaged in
battles with
Genoa,
Lucca and
Florence. This allowed time for the underlying soil to settle. Otherwise, the tower would almost certainly have toppled. In 1198, clocks were temporarily installed on the third floor of the unfinished construction.
In 1272, construction resumed under Giovanni di Simone, architect of the Camposanto. In an effort to compensate for the tilt, the engineers built higher floors with one side taller than the other. This made the tower begin to lean in the other direction. Because of this, the tower is actually curved.
[4] Construction was halted again in
1284, when the Pisans were defeated by the
Genoans in the
Battle of Meloria.
The seventh floor was completed in 1319. The bell-chamber was not finally added until 1372. It was built by Tommaso di Andrea Pisano, who succeeded in harmonizing the
Gothic elements of the bell-chamber with the
Romanesque style of the tower. There are seven bells, one for each note of the musical scale. The largest one was installed in 1655.
After a phase (
1990-
2001) of structural strengthening, the tower is currently undergoing gradual surface restoration, in order to repair visual damage, mostly corrosion and blackening. These are particularly strong due to the tower's age and to its particular conditions with respect to wind and rain.
[5]
History
Galileo Galilei is said to have dropped two
cannon balls of different masses from the tower to demonstrate that their descending
speed was independent of their
mass. This is considered an apocryphal tale, and the only source for it comes from Galileo's secretary.
In 1934
Benito Mussolini ordered that the tower be returned to a vertical position, so
concrete was poured into its
foundation. However, the result was that the tower actually sank further into the
soil.
[6]
During
World War II, the
Allies discovered that the
Nazis were using it as an observation post. A humble
U.S. Army sergeant was briefly entrusted with the fate of the tower. His decision not to call in an
artillery strike saved the edifice.<ref name="tilt" />
On
February 27,
1964, the
government of
Italy requested aid in preventing the tower from toppling. It was, however, considered important to retain the current tilt, due to the vital role that this element played in promoting the tourism industry of Pisa.
[7]
A multinational
task force of
engineers,
mathematicians and
historians was assigned and met on the
Azores islands to discuss stabilization methods. After over two decades of work on the subject, the tower was closed to the public on 7
January 1990. While the tower was closed, the bells were removed to relieve some weight, and cables were cinched around the third level and anchored several hundred meters away. Apartments and houses in the path of the tower were vacated for safety. After a decade of corrective reconstruction and stabilization efforts, the tower was reopened to the public on
December 15,
2001. It was found that the lean was increasing due to the stonework expanding and contracting each day due to the heat of sunlight. This was working in combination with the softer foundations on the lower side. Many methods were proposed to stabilize the tower, including the addition of 800 metric tons of lead counterweights to the raised end of the base.
[8]
The final solution to prevent the collapse of the tower was to slightly straighten the tower to a safer angle, by removing 38
m3 of soil from underneath the raised end. Through this, the tower was straightened by 18 inches (45 centimeters), returning to the exact position that it was in
1838. The tower has been declared stable for at least another 300 years.<ref name="time-2001" />
In
1987, the tower was declared as part of the
Piazza dei Miracoli UNESCO World Heritage Site along with neighbouring
cathedral,
baptistery and cemetery.
Certain information and suppositions
- On 5 January 1172 a widow, donna Berta di Bernardo, who lived in the house of the Opera di Santa Maria (ancient name of the cathedral vestry board of Pisa), left in her legacy, that still exist, "sessanta soldi" (sixty penny) to the Opera Campanilis petrarum Sancte Marie, to buy stones and to begin to build the Tower.[9]
- On 9 August 1173 were laid the foundations of the Tower.[10]
- Giorgio Vasari, wrote nearly four centuries later the foundation that: "Guglielmo, according to they say, the year 1174 with Bonanno sculptor laid the foundations in Pisa of the belltower of the cathedral". This information is unmatched.
- Another possible author is Gerardo di Gerardo. His name appears as "master Gerardo" that did as witness to the legacy of Berta di Bernardo and a worker whose name was Gerardo. However there is no direct connection with the building of the Tower.
- One of the most probable authors is Diotisalvi, because of the construction time and affinities with other buildings in Pisa. But he usually signed his works, and there is no signature by him in the belltower.
- Giovanni di Simone was heavily involved in the works of completing the tower, under the direction of Giovanni Pisano, who in that time was master builder of the Opera di Santa Maria Maggiore. Maybe was the same Giovanni Pisano that completed the tower with the bellfry.
- Giorgio Vasari, although, indicates Tommaso di Andrea Pisano as the author of the bellfry, between 1360 and 1370.
- In 1232 a warehouse were to store the marbles to the tower exist in Pisa.[11]
- On 27 December 1233 the worker Benenato, son of Gerardo Bottici, undertook to continue the building of the belltower.[12]
- On 23 February 1260 Guido Speziale, son of Giovanni, is elected worker of Santa Maria Maggiore, and he undertakes to continue the building of the Tower.[13]
- On 12 April 1264 the master builder Giovanni di Simone with 23 stone masters go to cut marbles in the mountains of Pisa. Those marbles are given to Rainaldo Speziale worker of St. Francesco.[14]
- On 16 August 1267 Rainaldo Speziale , that was worker of St. Francesco, is recalled as worker of Santa Maria Maggiore (and thus of the belltower). In the same document Giovanni di Simone appears as master builder of the vestry board.
Technical information


View looking up
- Elevation of Piazza dei Miracoli: about 2 metres (6 feet, DMS)
- Height: 55.863 metres (183 ft 3 in), 8 stories
- Outer diameter of base: 15.484 m
- Inner diameter of base: 7.368 m
- Angle of slant: 5.5 degrees[15] or 4.5 m from the vertical[16]
- Weight: 14,700 tonnes
- Thickness of walls at the base: 8 ft (2.4 m)
- Total number of bells: 7, tuned to musical scale, clockwise
- 1st bell: L'assunta, cast in 1654 by Giovanni Pietro Orlandi, weight 3,620 kg (7,981 lb)
- 2nd bell: Il Crocifisso, cast in 1572 by Vincenzo Possenti, weight 2,462 kg (5,428 lb)
- 3rd bell: San Ranieri, cast in 1719-1721 by Giovanni Andrea Moreni, weight 1,448 kg (3,192 lb)
- 4th bell: La Terza (1st small one), cast in 1473, weight 300 kg (661 lb)
- 5th bell: La Pasquereccia, cast in 1262 by Lotteringo, weight 1,014 kg (2,235 lb)
- 6th bell: Il Vespruccio (2nd small one), cast in the 14th century and again in 1501 by Nicola di Jacopo, weight 1,000 kg (2,205 lb)
- 7th bell: Dal Pozzo, cast in 1606 and again in 2004, weight 652 kg (1,437 lb) [17]
- Steps to bell tower: 294[18]
Notes
1.
^ Recently two
German churches have challenged the tower's status as the world's most lop-sided building: the 13th century square tower at Suurhusen and the nearby 14th century bell tower in the town of
Bad Frankenhausen (Sunday Telegraph no 2,406- 22nd July 2007)
2.
^ Davies, Andrew (2005). The Children's Visual World Atlas. Sydney, Australia: The Fog Press. ISBN 1-740893-17-4.2005&rft.pub=The%20Fog%20Press&rft.place=Sydney,%20Australia">
3.
^ Controversy about the identity of the architect
4.
^ McLain, Bill [1999]. Do Fish Drink Water?. New York: William Morrow and Company, Inc, 291-292. ISBN 0-688-16512-5.
5.
^ Restoration work is mentioned inside the official website of the square
[2]
6.
^ Shrady, Nicholas. (2003).
Tilt: a skewed history of the Tower of Pisa. New York: Simon & Schuster.
7.
^ "
Securing the Lean In Tower of Pisa", The New York Times, November 1, 1987.
8.
^ "
Tipping the Balance", TIME Magazine, June 25, 2001.
9.
^ Capitular Record Offices of Pisa, parchment n. 248
10.
^ Lapid in the basement of the Tower
11.
^ Public Record Offices of Pisa, Opera della Primaziale, 1 december 1233.
12.
^ Public Record Offices of Pisa, Opera della Primaziale, 27 december 1234
13.
^ Public Record Offices of Pisa, Opera della Primaziale, 23 february 1260
14.
^ Public Record Offices of Pisa, Roncioni, 12 aprile 1265.
15.
^ "
BBC On This Day", BBCi
16.
^ Fall of the Leaning Tower
17.
^ Bell Dal Pozzo
18.
^ Davies, Andrew (2005). The Children's Visual World Atlas. Sydney, Australia: The Fog Press. ISBN 1-740893-17-4.2005&rft.pub=The%20Fog%20Press&rft.place=Sydney,%20Australia">
References
- Shrady, Nicholas (2003). Tilt: a skewed history of the Tower of Pisa. New York: Simon & Schuster. ISBN 0-7432-2926-6.2003&rft.pub=Simon%20%26%20Schuster&rft.place=New%20York">
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The template is . Please use instead.
..... Click the link for more information. A campanile – pronounced /kæmpəˈni:leɪ/ – is, especially in Italy, a free-standing bell tower, often adjacent to a church or cathedral.
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cathedral is a Christian church that contains the seat of a bishop. It is a religious building for worship, specifically of a denomination with an episcopal hierarchy, such as the Roman Catholic, Anglican, Orthodox and some Lutheran churches, which serves as a bishop's seat, and
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