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Raffaello Santi

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Raffaello Sanzio

Self-portrait by Raphael
Birth nameRaffaello Sanzio
BornMarch 6 1483(1483--)
Urbino, Italy
DiedMarch 6 1520 (aged 37)
Rome, Italy
NationalityItalian
FieldPainting
TrainingPerugino
MovementRenaissance
Famous worksSchool of Athens


Raphael Sanzio or Raffaello (April 6, 1483April 6, 1520) was an Italian master painter and architect of the Florentine school in High Renaissance, celebrated for the perfection and grace of his paintings. He was also called Raffaello Sanzio, Raffaello Santi, Raffaello da Urbino or Rafael Sanzio da Urbino.

Early life and work

Raphael was born in Urbino.[1] The surname Sanzio derives from the latinization of the Italian, Santi, into Santius (also, when signing solely using his baptismal name, "Raphael"). His father, Giovanni Santi, was also a painter in the court of Urbino.

In 1491, his mother Màgia died; his father died on August 1, 1494, having already remarried. Thus orphaned at eleven, Raphael was entrusted to his uncle Bartolomeo, a priest. He had already shown talent, according to Giorgio Vasari - he tells that since childhood Raphael had been "a great help to his father". His father's workshop continued and probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. He is described as a "master" in 1501. In Urbino he came into contact with the works of Paolo Uccello and Luca Signorelli. According to Vasari, his father placed him in Umbrian master Pietro Perugino's workshop as an apprentice "despite the tears of his mother"; the subsequent influence of Perugino on Raphael's early work is most obvious. The evidence of an apprenticeship comes only from Vasari, and has been disputed. But most modern historians agree that Raphael worked as an assistant to Perugino around 1500.[1]

His first documented work was an altarpiece for the church of San Nicola of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. It was ordered in 1500 and finished in 1501 (it was later seriously damaged during an earthquake in 1789 and today only fragments of it remain). In the following years he painted works for other churches there (like the Wedding of the Virgin, today in the Brera) and for Perugia.

Florentine period

Moving to Florence when he was around 20, he was exposed to Leonardo da Vinci, "whom he never ceased to admire as a mentor and father figure", and to Michelangelo, just eight years his senior, "with whom he later had a stormy and competitive relationship." (Leonardo died in 1519, one year before Raphael, but Michelangelo lived until 1564.) Raphael learned from both men, but while he made use of their exploration of human anatomy, he added sentiment to his paintings.[1] Raphael's time in Florence was very productive and the influences of Leonardo and Michelangelo (who were working on the Mona Lisa and David, respectively, at the time) is unmistakable. At the time, Raphael's paintings bore "a strong [Leonardo] influence with its pyramidal composition, contour, balance and interplay of light and dark (chiaroscuro) and sfumato (extremely fine, soft shading instead of line to delineate forms and features)," while others reveal a Michelangelic inspiration.[2]

Roman period

At the end of 1508, he moved to Rome (at the urging of Donato Bramante, the architect of St. Peter's)[1] and was immediately commissioned by Julius II to paint some of the rooms at his palace at the Vatican. This marked a turning point - he was only twenty-five years old, an artist in formation, and had not received commissions of such importance and prestige. He well exploited the situation, and remained almost exclusively in the service of Julius and his successor Leo X. At the time, he painted "a series of frescoes in the papal apartments" as well as those of the "Stanza della Segnatura, which include his vast School of Athens."[1] Similar to Michelangelo, Raphael also included the likeness of his peers in his frescos. So much so that Michelangelo (who was working on the Sistine Chapel at the time) accused Raphael of perceived plagarism and years after Raphael's death, complained in a letter that "everything he knew about art he got from me."[2]

In 1514 (following Bramante's death), he was named architect of the new St Peter's[1] Much of his work there was altered or demolished after his death, but he designed other buildings, and for a short time was both the most important architect and painter in Rome. In 1515 he was entrusted with the preservation and recording of the Vatican collections of ancient sculpture.

After his arrival in Rome, he devoted his efforts to the great Vatican projects, although he still painted portraits of his two main patrons, the popes Julius II and his successor Leo X, the latter portrait considered one of his finest.
Enlarge picture
Sybils, fresco in the church of Santa Maria della Pace in Rome.
One of his most important papal commissions was the Raphael Cartoons (now Victoria and Albert Museum), a series of 10 cartoons for tapestries with scenes of the lives of Saint Paul and Saint Peter, intended as wall decoration for the Sistine Chapel. The cartoons were sent to Bruxelles to be sewn in the workshop of Pier van Aelst; the first three tapestries were sent to Rome in 1519. It is possible that Raphael saw the finished series before his death — they were completed in 1520 for Leo X.

Raphael, who in Rome lived in Borgo, never married, but it appears that in 1514 he was engaged to Maria Bibbiena (cardinal Medici Bibbiena's niece); she died in 1520. The other woman in his life was La Fornarina, a beauty named Margherita, the daughter of a baker (fornaro) named Francesco Luti from Siena who lived at via del Governo Vecchio. Art historians and doctors debate whether the right hand on the left breast in La Fornarina reveal a cancerous breast tumour detailed and disguised in a classic pose of love. [3] [1]

Enlarge picture
Lucretia, engraved by Raimondi after a design by Raphael.
According to Vasari, his premature death on Good Friday (April 6, 1520, his 37th birthday) was caused by a night of excessive sex with her, after which he fell into a fever and, not telling his doctors that this was its cause, was given the wrong cure, which killed him. Whatever the cause, in his acute illness Raphael had the wit to receive the last rites, and put his affairs in order. He took the care to dictate his will, in which he left sufficient funds for her care, entrusted to his loyal servant Bavera. Vasari underlines that Raphael was also born on a Good Friday, in 1483, on 27 or 28 March. At his request, he was buried in the Pantheon.

Printmaking

Raphael made no prints himself, but entered into a collaboration with Marcantonio Raimondi to produce engravings to Raphael's designs, which created many of the most famous Italian prints of the century, and was important in the rise of the reproductive print. A total of about fifty prints were made; some were copies of Raphael's paintings, but other designs were apparently created only to be made into prints. Raphael made preparatory drawings, many of which survive, for Raimondi to translate into engraving. The two most famous original prints to result from the collaboration were Lucretia and The Massacre of the Innocents. Outside Italy, reproductive prints by Raimondi and others were the main way that Raphael's art was experienced until the twentieth century.

Legacy

The inscription in his marble sarcophagus, a distichon written by Pietro Bembo, reads: "Ille hic est Raffael, timuit quo sospite vinci, rerum magna parens et moriente mori." Meaning: "Here lies that famous Raphael by whom Nature feared to be outdone while he lived, and when he died, feared herself to die."

Raphael was highly admired by his contemporaries. When compared to Michelangelo and Titian, he was sometimes considered inferior; at the same time, it was maintained that none of them shared all the qualities possessed by Raphael, "ease" in particular.

Enlarge picture
Resurrection of Christ.
Enlarge picture
La Fornarina.
Enlarge picture
Madonna with the Fish.
Enlarge picture
Spasimo.
Enlarge picture
Saint George.

Chronology of main works

Early works

Florentine period

Roman period

See also

References

1. ^ In Raphael Exhibition, Women Do the Talking, Alan Riding, The New York Times, Section A; Column 1; Arts & Ideas/Cultural Desk; Pg. 13, December 29, 2001, Saturday Correction Appended.
2. ^ Who was... Raphael?, The Hindu. Global News Wire - Asia Africa Intelligence Wire. January 4, 2005.
3. ^ "The Portrait of Breast Cancer and Raphael's La Fornarina", The Lancet, December 21, 2002/December 28, 2002.

External links

Raphael, or Raphael Santi, was an Italian master painter and architect of the Florentine school in High Renaissance

Raphael may also refer to:
  • Raphael (archangel), a seraph and archangel in Judaism, Islam, and Christianity

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March 6 is the 1st day of the year (2nd in leap years) in the Gregorian calendar. There are 0 days remaining.

Events

  • 1079 - Omar Khayyám completes the Iranian calendar.
  • 1447 - Nicholas V becomes Pope.

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14th century - 15th century - 16th century
1450s  1460s  1470s  - 1480s -  1490s  1500s  1510s
1480 1481 1482 - 1483 - 1484 1485 1486

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Subjects:     Archaeology - Architecture -
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Country Italy
Region Marche
Province Pesaro-Urbino (PU)
Mayor Corbucci Franco

Area km
Population
 - Total (as of December 31, 2004)
 - Density /km
Time zone
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Anthem
Il Canto degli Italiani
(also known as Fratelli d'Italia)


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March 6 is the 1st day of the year (2nd in leap years) in the Gregorian calendar. There are 0 days remaining.

Events

  • 1079 - Omar Khayyám completes the Iranian calendar.
  • 1447 - Nicholas V becomes Pope.

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15th century - 16th century - 17th century
1490s  1500s  1510s  - 1520s -  1530s  1540s  1550s
1517 1518 1519 - 1520 - 1521 1522 1523

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Comune di Roma

Flag
Seal
Nickname: "The Eternal City"
Motto: "Senatus Populusque Romanus" (SPQR)   (Latin)
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Anthem
Il Canto degli Italiani
(also known as Fratelli d'Italia)


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Anthem
Il Canto degli Italiani
(also known as Fratelli d'Italia)


..... Click the link for more information.
Painting, meant literally, is the practice of applying color to a surface (support) such as paper, canvas, wood, glass, lacquer or concrete. However, when used in an artistic sense, the term "painting" means the use of this activity in combination with drawing, composition and
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Pietro Perugino (1446–1524) was a well-known painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance.
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Renaissance (French for "rebirth"; Italian: Rinascimento; Spanish: Renacimiento), was a cultural movement that spanned roughly the 14th through the 17th century, beginning in Italy in the late Middle Ages and later spreading to the rest of Europe.
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The School of Athens or "Scuola di Atene" in Italian is one of the most famous paintings by the Italian Renaissance artist Raphael.
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April 6 is the 1st day of the year (2nd in leap years) in the Gregorian calendar. There are 0 days remaining.

Events

  • 648 BC - Earliest solar eclipse recorded by the Ancient Greeks.

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14th century - 15th century - 16th century
1450s  1460s  1470s  - 1480s -  1490s  1500s  1510s
1480 1481 1482 - 1483 - 1484 1485 1486

:
Subjects:     Archaeology - Architecture -
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April 6 is the 1st day of the year (2nd in leap years) in the Gregorian calendar. There are 0 days remaining.

Events

  • 648 BC - Earliest solar eclipse recorded by the Ancient Greeks.

..... Click the link for more information.
15th century - 16th century - 17th century
1490s  1500s  1510s  - 1520s -  1530s  1540s  1550s
1517 1518 1519 - 1520 - 1521 1522 1523

:
Subjects:     Archaeology - Architecture -
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Anthem
Il Canto degli Italiani
(also known as Fratelli d'Italia)


..... Click the link for more information.
Painting, meant literally, is the practice of applying color to a surface (support) such as paper, canvas, wood, glass, lacquer or concrete. However, when used in an artistic sense, the term "painting" means the use of this activity in combination with drawing, composition and
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An architect is a person who is involved in the planning, designing and oversight of a building's construction. The word "architect" (Latin: architectus) derives from the Greek arkhitekton (arkhi (chief) + tekton (builder))")[1]
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Country Italy
Region Tuscany
Province Florence (FI)
Mayor Leonardo Domenici (Democrats of the Left)

Area km
Population
 - Total (as of 2006-06-02)
 - Density /km

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High Renaissance is an art term denoting the culmination of the Italian Renaissance art between 1500 and 1525. Because Pope Julius II patronized many artists during this time, the movement was centered in Rome; it had previously been centered in Florence.
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Country Italy
Region Marche
Province Pesaro-Urbino (PU)
Mayor Corbucci Franco

Area km
Population
 - Total (as of December 31, 2004)
 - Density /km
Time zone
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Latinisation is the practice of writing a name in a Latin style when writing in Latin so as to more closely emulate Latin authors, or to present a more impressive image. It is done by transforming a non-Latin name into Latin sounds (e.g.
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Giovanni Santi (c. 1435 – August 1 1494), was an Italian painter and poet, father of Raphael. He was born at Colbordolo in the Duchy of Urbino, was a petty merchant for a time, then studied under Piero della Francesca, was influenced by Fiorenzo di Lorenzo, and seems to have
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15th century - 16th century
1460s  1470s  1480s  - 1490s -  1500s  1510s  1520s
1488 1489 1490 - 1491 - 1492 1493 1494

:
Subjects:     Archaeology - Architecture -
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August 1 is the 1st day of the year (2nd in leap years) in the Gregorian calendar. There are 0 days remaining.

Events


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14th century - 15th century - 16th century
1460s  1470s  1480s  - 1490s -  1500s  1510s  1520s
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Giorgio Vasari

Vasari's self-portrait
July 30, 1511
Arezzo, Tuscany
June 27, 1574
Florence, Italy
Italian
Painting, architect
Andrea del Sarto
Renaissance
Biographies of Italian artists


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