setting tone
Information about setting tone
Authors set a tone in literature by conveying an emotion/feeling or emotions/feelings through words. The way a person feels about an idea/concept, event, or another person can be quickly determined through facial expressions, gestures and in the tone of voice used. In literature an author sets the tone through words. The possible tones are bounded only by the number of possible emotions a human being can have.
Diction and syntax often dictate what the author's (or character's) attitude toward his subject is at the time. An example: "Charlie surveyed the classroom of dolts, congratulating himself for snatching the higher test grade, the smug smirk on his face growing brighter and brighter as he confirmed the inferiority of his peers."
The tone here is one of obvious arrogance, Charlie refers to his classmates as "dolts" and the quip "inferiority of his peers" shows Charlie's belief in his own prowess. The words "surveyed" and "congratulating himself" show Charlie as seeing himself better than the rest of his class. The diction, including the word "snatching", gives the reader a mental picture of someone quickly and effortlessly grabbing something, which proves once again Charlie's pride in himself. Characteristically, of course, the "smug smirk" provides a facial imagery of Charlie's pride.
In addition, using imagery in a poem is helpful to develop a poem's tone.
Diction and syntax often dictate what the author's (or character's) attitude toward his subject is at the time. An example: "Charlie surveyed the classroom of dolts, congratulating himself for snatching the higher test grade, the smug smirk on his face growing brighter and brighter as he confirmed the inferiority of his peers."
The tone here is one of obvious arrogance, Charlie refers to his classmates as "dolts" and the quip "inferiority of his peers" shows Charlie's belief in his own prowess. The words "surveyed" and "congratulating himself" show Charlie as seeing himself better than the rest of his class. The diction, including the word "snatching", gives the reader a mental picture of someone quickly and effortlessly grabbing something, which proves once again Charlie's pride in himself. Characteristically, of course, the "smug smirk" provides a facial imagery of Charlie's pride.
In addition, using imagery in a poem is helpful to develop a poem's tone.
See also
Literature literally "acquaintance with letters" (from Latin littera letter) as in the first sense given in the Oxford English Dictionary, or works of art, which in Western culture are mainly prose, both fiction and non-fiction, drama and poetry.
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emotion is a "complex reaction pattern, involving experiential, behavioral, and physiological elements, by which the individual attempts to deal with a personally significant matter of event.
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Diction, in its original, primary meaning, refers to the writer's or the speaker's distinctive vocabulary choices and style of expression. A secondary, common meaning of "diction" is better, and more precisely, expressed with the word enunciation — the art of speaking clearly
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In computer science, SYNTAX is a system used to generate lexical and syntactic analyzers (parsers) (both deterministic and non-deterministic) for all kind of context-free grammars
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A smirk (from the Old English smercian, "smile") refers to a smile evoking insolence, scorn, or offensive smugness. "A constant smirk upon the face, and a whiffling activity of the body, are strong indications of futility," the Earl of Chesterfield once wrote in a
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In grammar, the voice of a verb describes the relationship between the action (or state) that the verb expresses and the participants identified by its arguments (subject, object, etc.). When the subject is the agent or actor of the verb, the verb is in the active voice.
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Writer's voice is a literary term used to describe the individual writing style of an author. Voice is a combination of a writer's use of syntax, diction, punctuation, character development, dialogue, etc., within a given body of text (or across several works).
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point of view is the related experience of the narrator — not that of the author. Authors rarely, in fiction, insert or inject their own voice, as this challenges the suspension of disbelief. Texts encourage the reader to identify with the narrator, not with the author.
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