A
madrigal is a setting for two or more voices of a secular text, often in
Italian. The madrigal has its origins in the
frottola, and was also influenced by the
motet and the French
chanson of the
Renaissance. It is related mostly by name alone to the
Italian trecento madrigal of the late
13th and
14th centuries; those madrigals were settings for 2 or 3 voices without accompaniment, or with instruments possibly doubling the vocal lines.
The madrigal was the most important secular form of music of its time. It bloomed especially in the second half of the
16th century, losing its importance by the third decade of the
17th century, when it vanished through the rise of newer secular forms as the
opera and merged with the
cantata and the
dialogue.
Its rise started with the
Primo libro di Madrigali of
Philippe Verdelot, published in
1533 in
Venice, which was the first book of identifiable madrigals. This publication was a great success and the form spread rapidly, first in
Italy and up to the end of the century to several other countries in Europe. Especially in
England the madrigal was highly appreciated after the publication of
Nicholas Yonge's
Musica Transalpina in
1588, a collection of Italian madrigals with translated texts which started a madrigal culture of its own. The madrigal had a much longer life in England than in the rest of
Europe: composers continued to produce works of astonishing quality even after the form had gone out of fashion on the Continent (see
English Madrigal School).
Late madrigalists were particularly ingenious with so-called "
madrigalisms" — passages in which the music assigned to a particular word expresses its meaning, for example, setting
riso (smile) to a passage of quick, running notes which imitate laughter, or
sospiro (sigh) to a note which falls to the note below. This technique is also known as "
word-painting" and can be found not only in madrigals but in other vocal music of the period. The most important of the late madrigalists are certainly
Luca Marenzio,
Carlo Gesualdo, and
Claudio Monteverdi, who integrated in
1605 the basso continuo into the form and later composed the book
Madrigali guerrieri et amorosi (
1638) (Madrigals of War and Love), which is, however, an example of the early
Baroque madrigal; some of the compositions in this book bear little relation to the
a cappella madrigals of the previous century.
Madrigals today
Nowadays, madrigals are often sung by high school or college madrigal choirs often in the context of a
madrigal dinner which may also include a play, Renaissance costumes, and instrumental chamber music.
Madrigal composers
Early composers of madrigals
The classic madrigal composers
The late madrigalists
Composers of Baroque "concerted" madrigals (with instruments)
English madrigal school
Some 60 madrigals of the English School are published in
The Oxford Book of English Madrigals
Media
External links
Italian}}}
Official status
Official language of: European Union
European Union
Switzerland
San Marino
Vatican City
Sovereign Military Order of Malta
The template is . Please use instead.
..... Click the link for more information. The frottola was the predominant type of Italian popular, secular song of the late fifteenth and early sixteenth century. It was the most important and widespread predecessor to the madrigal.
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In Western music, motet is a word that is applied to a number of highly varied choral musical compositions.
The name comes either from the Latin movere, ("to move") or a Latinized version of Old French mot, "word" or "verbal utterance.
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Chanson (French for "song") refers to any song with French words, but more specifically classic, lyric-driven French songs, European songs in the cabaret style, or a diverse range of songs interpreted in this style.
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Renaissance music is European music written during the Renaissance, approximately 1400 to 1600. Defining the beginning of the era is difficult, given the lack of abrupt shifts in musical thinking during the 15th century.
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The Madrigal is an Italian musical form of the 14th century. The form flourished ca. 1300 – 1370 with a short revival near 1400. It was a composition for two (or rarely three) voices, sometimes on a pastoral subject.
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As a means of recording the passage of time, the 13th century was that century which lasted from 1201 to 1300. In the history of European culture, this period is considered part of the High Middle Ages, and after its conquests in Asia the Mongol Empire stretched from Korea to
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14th century was that century which lasted from 1301 to 1400.
Events
- The transition from the Medieval Warm Period to the Little Ice Age
- Beginning of the Ottoman Empire, early expansion into the Balkans
..... Click the link for more information. As a means of recording the passage of time, the
16th century was that century which lasted from 1501 through 1600.
See also: 16th century in literature
Events
1500s
- 1500s: Mississippian culture disappears.
..... Click the link for more information. As a means of recording the passage of time, the 17th Century was that century which lasted from 1601-1700 in the Gregorian calendar.
The 17th Century falls into the Early Modern period of Europe and was characterized by the Baroque cultural movement and the beginning of
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Opera is a form of musical and dramatic work in which singers convey the drama.[1] Opera is part of the Western classical music tradition.[2] An opera performance incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and
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A cantata (Italian, 'sung') is a vocal composition with an instrumental accompaniment and generally containing more than one movement.
Historical context
The term did not exist prior to the 16th century, when all "cultured" music was vocal, but with the rise of
..... Click the link for more information. A dialogue (sometimes spelled dialog[1]) is a reciprocal conversation between two or more entities. The etymological origins of the word (in Greek διά(diá,through) + λόγος(logos,word,speech) concepts like
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For other uses, see Verdelot.
Philippe Verdelot (1480 to 1485 – c. 1530 to 1532?) was a French composer of the Renaissance, who spent most of his life in Italy.
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1500s 1510s 1520s - 1530s - 1540s 1550s 1560s
1530 1531 1532 - 1533 - 1534 1535 1536
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Subjects: Archaeology - Architecture -
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Country Italy
Region Veneto
Province Venice (VE)
Mayor Massimo Cacciari (since April 18 2005)
Area km
Population
- Total (as of January 1 2004)
- Density /km
Time zone
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AnthemIl Canto degli Italiani(also known as
Fratelli d'Italia)
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Dieu et mon droit (French)
"God and my right"
Anthem
No official anthem specific to England — the anthem of the United Kingdom is "God Save the Queen".
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Nicholas Yonge (c. 1560 – buried October 23, 1619) was an English singer and publisher. He is most famous for publishing the Musica transalpina (1588), a collection of Italian madrigals with their words translated into English.
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15th century - 16th century - 17th century
1550s 1560s 1570s - 1580s - 1590s 1600s 1610s
1585 1586 1587 - 1588 - 1589 1590 1591
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Subjects: Archaeology - Architecture -
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Europe is one of the seven traditional continents of the Earth. Physically and geologically, Europe is the westernmost peninsula of Eurasia, west of Asia. Europe is bounded to the north by the Arctic Ocean, to the west by the Atlantic Ocean, to the south by the Mediterranean Sea,
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The English Madrigal School was the brief but intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them. The English madrigals were a cappella, predominantly light in style, and generally began as either copies or
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Word painting (also known as tone painting or text painting) is the musical technique of having the music mimic the literal meaning of a song. For example, ascending scales would accompany lyrics about going up; slow, dark music would accompany lyrics about death.
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Luca Marenzio (also Marentio) (October 18? 1553? – August 22, 1599) was an Italian composer of the late Renaissance. He was one of the most renowned composers of madrigals, and wrote perhaps the finest examples of the form in its late stage of development, prior to its
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Carlo Gesualdo, known as Gesualdo da Venosa (?March 8, 1566 – September 8, 1613), Prince of Venosa and Count of Conza, was an Italian music composer, lutenist and nobleman of the late Renaissance.
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16th century - 17th century - 18th century
1570s 1580s 1590s - 1600s - 1610s 1620s 1630s
1602 1603 1604 - 1605 - 1606 1607 1608
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Subjects: Archaeology - Architecture -
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8th century - 9th century - 10th century
850s 860s 870s - 880s - 890s 900s 910s
885 886 887 - 888 - 889 890 891
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Subjects: Archaeology - Architecture -
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Baroque music describes an era and a set of styles of European classical music which were in widespread use between approximately 1600 and 1750.[1] This era is said to begin in music after the Renaissance and was followed by the Classical music era.
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A Madrigal Dinner or Madrigal Feast is an American form of dinner theater often held by schools and church groups during the Christmas season. It is set in the Middle Ages and is generally comedic in nature.
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