Triumphal arch

Information about Triumphal arch

A triumphal arch is a structure in the shape of a monumental archway, in theory built to celebrate a victory in war, actually usually to celebrate a ruler. The classical triumphal arch is a free-standing structure, quite separate from city gates or walls, but the form is often used in engaged arches as well. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crowned with a flat superstructure or attic on which a statue might be mounted or which bears commemorative inscriptions. The structure should be decorated with carvings, notably including "Victories", winged female figures (very similar to angels), a pair of which typically occupy the curved triangles beside the top of the arch curve. More elaborate triumphal arches have flanking subsidiary archways, typically a pair.

The rhythmic ABA motif—of central arched void flanked by smaller ones—was adapted in Classical architecture, particularly since the Renaissance, to articulate the walls of structures. The voids may take the form of niches or be "blind", with masonry continuous behind.

Roman triumphal arches

The tradition dates back to Ancient Rome and is connected to the Senate's custom of granting Roman triumphs. Surprisingly little is known about how the Romans used triumphal arches; the only ancient author who discussed them was Pliny the Elder, writing in the first century AD. They are not mentioned at all by Vitruvius, the first century BC writer on Roman architecture. Pliny describes them as being honorary monuments of unusual importance, erected to commemorate triumphs. By the second century arches were being erected to commemorate other events, such as the surviving triumphal arch at Ancona, erected by a grateful city to commemorate Trajan's improvements to the harbor.

It is unclear when the Romans first began erecting triumphal arches. They originated some time during the Roman Republican era, during which time three were erected in Rome, the earliest being one to Lucius Stertinius built in 196 BC. These appear to have been temporary structures, and none now survive. Most triumphal arches were built during the Roman Empire. By the fourth century, thirty-six triumphal arches can be traced in Rome. Only five now survive (see list below).

The arches of Rome became increasingly elaborate over the centuries. They were at first very simple symbolic temporary gateways to the city, being built of brick or stone with a semicircular arched heading and hung with trophies of captured arms. Later arches were built of high-quality marble with a large central arch in the middle, its ceiling treated as a barrel vault, and sometimes two smaller ones on each side, adorned with a complete Architectural order, of columns and entablature, enriched with symbolic or narrative bas-reliefs and crowned with bronze statues, often a quadriga. The festive Corinthian order was the usual one.

Post-Roman triumphal arches

Triumphal arches in the Roman style were revived during the Renaissance, when there was a Europe-wide upswelling of interest in the art and architecture of ancient Rome. Between the 15th and 19th century, kings and emperors erected numerous triumphal arches in conscious imitation of the Roman tradition. One of the earliest was the "Aragonese Arch" at the Castel Nuovo in Naples, erected by Alfonso V in 1443, although like the later Porta Capuana this was engaged as part of the entrance to the castle. Temporary examples were erected in enormous numbers for festivities such as Royal Entries from the late Middle Ages onwards. The Emperor Maximilian I commissioned the artist Albrecht Dürer to design an elaborately decorated monumental arch in woodcut for him (3.75 metres high, in 192 different sheets), which was never intended to be built, but was printed in an edition of 700 copies and distributed to be coloured and pasted on the walls of large rooms. Louis XIV of France and Napoleon Bonaparte both erected arches to commemorate their military triumphs, most famously the Arc de Triomphe in Paris. Arches were erected for similar purposes in England, the United States, Germany, Romania, Russia and Spain, amongst other countries. Built to honour and glorify President Kim Il Sung and modeled after the Arc de Triomphe in Paris, the Arch of Triumph in Pyongyang is the largest arch in the world.

Temporary triumphal arches are still constructed, intended to be used for a celebratory parade or ceremony and then be dismantled afterwards.

List of triumphal arches

For Roman ones only, see List of ancient Roman triumphal arches

Permanent monumental triumphal arches include:

Algeria

  • Timgad, Trajan's Arch, partially restored arch in a Roman colonial town

Australia

Austria

Belgium

Bulgaria

China

Croatia

Canada

France

Gambia

Germany

Greece

Hungary

  • Triumphal Arch, Vác

India

Iraq

Ireland

Italy

Libya

Laos

Moldova

  • Triuphal arch, Chişinău.

Morocco

North Korea

Portugal

Romania

Russia

Spain

  • Arco de la Victoria, Madrid. Inaugurated in 1956 after the Spanish civil war (1936-1939) to conmemorate Franco's victory.
  • Arc de Triomf, Barcelona, built as the entrance gate for the 1888 Universal Exhibition so it is not, strictly speaking, a triumphal arch as it was not built to commemorate any military victory. Nevertheless, it is built and named as a triumphal arch.
There are many similar monuments in Spain which were originally built as gates in city walls and therefore cannot be considered triumphal arches in any sense except in their resemblance. In Madrid there are the Puerta de Alcalá, , , Puerta de Hierro, etc.

Syria

Turkey

Ukraine

United Kingdom

United States

See also

Gallery



The Arch of Constantine, Rome

The triumphal arch of Glanum

The Brandenburg Gate

Triumphal arch on Kutuzovsky Prospekt in Moscow


Puerta de Alcalá is a triumphal arch forming a monumental gateway to Madrid

Narva Triuphal Gates in St. Petersburg

The triumphal arch erected to honor Hadrian who visitied Antalya in 2nd century A.D.

The Soldiers and Sailors Arch at Grand Army Plaza, Brooklyn, New York City


Triumfal arch, center of Chişinău

Arch of Hadrian in central Athens, with the Acropolis seen in the background.

The Arco do Triunfo in Lisbon

Red Gate in Moscow used to be a rare example of a baroque triumphal arch.

The triumphal arch in Orange, France

The Arc de Triomf in Barcelona

Arch 22 in Banjul, Gambia


The Patuxay in Vientiane, Laos. A triumphal arch built to commemorate soldiers who died fighting the French for independence.

Temporary triumphal arch commemorating election of Emilio Aguinaldo as President of the Philippines, 1899



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angel (Lat. angelus, pl. angeli) is a supernatural being found in many religions. In Christianity, Islam, Judaism, and Zoroastrianism, angels, as attendants or guardians to man, typically act as messengers from God.
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The term Classical Architecture has a specific archaeological meaning, relating to the architecture of Classical Greece. However the term is used by architectural historians to refer to a number of styles derived, directly or loosely, from this source.
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Renaissance (French for "rebirth"; Italian: Rinascimento; Spanish: Renacimiento), was a cultural movement that spanned roughly the 14th through the 17th century, beginning in Italy in the late Middle Ages and later spreading to the rest of Europe.
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niche in classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea (AD 64-69) was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with
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Ancient Rome was a civilization that grew from a small agricultural community founded on the Italian Peninsula circa the 9th century BC to a massive empire straddling the Mediterranean Sea.
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A Roman triumph (, Old Latin triumpus, attested as the exclamation TRIVMPE
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Gaius or Caius Plinius Secundus, (AD 23 – August 24, AD 79), better known as Pliny the Elder, was an ancient author, naturalist or natural philosopher and naval and military commander of some importance who wrote Naturalis Historia.
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Marcus Vitruvius Pollio (born ca. 80/70 BC?; died ca. 25 BC) was a Roman writer, architect and engineer (possibly praefectus fabrum or architectus armamentarius of the apparitor status group), active in the 1st century BC.
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Bas-relief (pronounced [ˈbaʁəˌlif], French for "low relief") is a method of sculpting which entails carving or etching away the surface of a flat piece of stone or metal creating a sculpture portrayed as a
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A quadriga (Latin language quadri-, four, and jungere, to yoke) is a four-horse chariot, raced in the Olympic Games and other games. It is represented in profile as the chariot of gods and heroes on Greek vases and in bas-relief.
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Corinthian order (named after the city Corinth, or Korinth, Greek: Κόρινθος, Kórinthos) is one of the Classical orders of Greek and Roman architecture, characterized by a slender fluted column and an ornate capital decorated with acanthus
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15th century was that century which lasted from 1401 to 1500.

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The 19th Century (also written XIX century) lasted from 1801 through 1900 in the Gregorian calendar. It is often referred to as the "1800s.
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Castel Nuovo (Italian: "New Castle"), often called Maschio Angioino, is a castle in the city of Naples, southern Italy. It is the main symbol of the architecture of the city.
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Alfonso the Magnanimous (also Alphonso; Catalan: Alfons) (1396 – 27 June 1458) was the King of Aragon[1] and Count of Barcelona (as Alfonso V) from 1416 and King of Naples (as Alfonso I) from 1442 until his death.
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Porta Capuana is an ancient city gate in Naples, southern Italy.

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Royal Entry, also known by various other names, including Triumphal Entry and Joyous Entry, embraced the ceremonial and festivities accompanying a formal entry by a ruler or his representative into a city in the Middle Ages and Early Modern Period in Europe.
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